A Good House
Closing: February 08, 2025A Good House - 2025 West End History , Info & More
Royal Court
Sloane Square London
“Once they’ve been here long enough, they’re no longer squatters. Then they’re simply... Neighbours.”
In the quaint suburban community of Stillwater, a mysterious shack springs up from the dust with the inhabitants nowhere to be seen.
As speculation abounds, new residents Sihle and Bonolo are recruited by their neighbourhood to be the face of a campaign to demolish the shack in this biting satire of community politics.
A Good House is a thrilling and comedic new work, from writer Amy Jephta, about a couple who discover the limits of good neighbourliness and what is required to fit in.
Directed by Nancy Medina (Trouble in Mind, National Theatre), A Good House is a co-production with Bristol Old Vic in association with The Market Theatre, Johannesburg.
A Good House was originally co-commissioned by the Royal Court Theatre with the Fugard Theatre, South Africa.
__Assisted Performances__
Chilled performance: Saturday 1st Feb 1:30pm
Captioned performance: Tuesday 2nd Feb 7:30pm (familiarization tour at 7pm)
Audio-Described performance: Saturday 8th February 1:30pm (touch tour at 12pm)
A Good House - 2025 - West End Cast
FEATURED REVIEWS FOR A Good House
'A Good House' review — prejudice and privilege are put under the microscope in this potent South African drama
6 / 10
Amy Jephta’s play A Good House is a worthy exploration of prejudice and privilege. There’s even a state-of-the-nation essence to its depiction of characters who complain how race, class or wealth is holding them back, while being unable to acknowledge which corner of this triangle offers them advantages. But while spiky exchanges thinly veiled as neighbourliness air these uncomfortable truths, it feels unfocused, as if unsure whether it wants to be a play about racism or capitalism. And while both ‘isms’ are addressed, it doesn’t peer under the bonnet of either of them thoroughly enough.
A Good House, Royal Court review - provocative, but imperfect
6 / 10
The play’s action is more than once interrupted as lights change and Sihle and Bonolo invite us into their thoughts, subjective and a bit surreal, to comment on the attitudes of the whites. These are great moments, but they add to a general sense of incoherence, as if the play can’t decide whether it is about ideas or people. Still, there is a lot of enjoyably satirical material: we are encouraged to mock Bonolo’s pretentious admiration of her wine aerator and special cheese knife; Jess’s cake is a farcical prop; how laughter is used to defuse social tensions. Sihle occasionally talks to Bonolo in Zulu, a language she doesn’t understand.
A Good House History
Other Productions of A Good House
| 2025 | West End |
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