Jenna Rink is an adorably awkward 13 year-old girl who wishes she could skip over the misery of High School. When her birthday wish comes true, Jenna magically wakes up as an adult to find herself “thirty, flirty and thriving” as the editor of a fashion magazine with a seemingly perfect life. But as she gradually unravels the mystery of what kind of person she has become, she goes on a journey to work out what – and who – really matters.
What’s that sound? Is it a new musical opening – or is it the bottom of the barrel being scraped? This is the latest in a never-ending line of movies getting the nostalgic musical treatment; just this week you could also have watched 50 First Dates the Musical, based on another 2004 movie, while 13 Going on 30 shares its DNA with other recent adaptations, such as The Devil Wears Prada (fashion mags!) and Mean Girls (mean girls!). Made by Americans with a lot of Disney credits to their name, this is a slickly efficient production with a giant, well-drilled, super-upbeat cast. Andy Fickman’s production is utterly inoffensive – but it’s also hard to escape the feeling that this is really just intellectual property slop: formulaic and familiar.
As always, the question is: did this need to be adapted? While Fickman and co have done a decent job of transforming the film into a musical that stands alone, it’s hard not to wish this talent could be turned to new stories. But maybe that’s just thirtysomething me talking, while my inner 13-year-old bops to the music.
| 2025 | West End |
West End |
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