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BRIDGEWATER STATE UNIVERSITY



Review: UN-EXPECTING, Oran Mor


by Natalie O'Donoghue - April 12, 2026

A nightclub collision. A daft decision. A heartbeat caught between two strangers who can barely catch their breath. Told in a pulse of beat-poetry, barbed humour and bruising honesty, Scott and Jess ricochet through tests, scans, scares and the kind of arguments you only have when everything matter...

Review: I, DANIEL BLAKE, Citizens Theatre


by Natalie O'Donoghue - April 10, 2026

I, Daniel Blake is one of the most important stories of a generation. A glimpse behind the headlines and the stark reality of what happens when the political system is stacked against you. With 14.3 million* people living in poverty in the UK, this is not fiction. It is reality....

Review: LEGALLY BLONDE, King's Theatre


by Natalie O'Donoghue - April 08, 2026

This ultimate feel-good rom-com, based on the award-winning film starring Reese Witherspoon, follows Elle Woods on her transformation from It Girl fashionista to legal ace at Harvard Law School, all in the name of love....

Review: THE BODYGUARD at Alte Oper, Frankfurt And On Tour In The UK


by André Böke - April 05, 2026

The touring production of The Bodyguard arrives at a pivotal moment in its continental journey. After stops in Zurich, Munich and Berlin, interspersed with various UK engagements including London, the show now plays its final German date at the Alte Oper Frankfurt. From here, it will return to Briti...

Review: OUTSKIRTS, Oran Mor


by Natalie O'Donoghue - April 05, 2026

When Margaret enters a Glasgow gay bar for the very first time, she discovers a whole new world through the spiky bartender, chaotic kitchen porter, and a mysterious package waiting to be opened....

Review: WHAT I'M HERE FOR, Tron Theatre


by Natalie O'Donoghue - April 02, 2026

What I’m Here For (Danish title Flora) is a co-production between internationally acclaimed companies Vanishing Point (Scotland) and Teater Katapult (Denmark)....

Review: SAILMAKER, The Gaiety


by Natalie O'Donoghue - April 01, 2026

First performed in 1982, Sailmaker is a set text for National 5 English. It remains a powerful and resonant piece for audiences of all ages. The Gaiety is excited to revive Sailmaker for new audiences in association with Beacon Arts Centre, embarking on a Scottish tour concluding at The Gaiety....

Review: INSPECTOR MORSE: HOUSE OF GHOSTS at Theatre Royal Glasgow


by Mary Baillie - April 02, 2026

Inspector Morse: House of Ghosts brings the iconic TV detective to the stage in a new original mystery. ...

Review: MEDEA, Tron Theatre


by Natalie O'Donoghue - March 29, 2026

Everyone knows how Jason won the Golden Fleece - everyone knows how he became a hero for all time - and everyone knows the part his wife, Medea, played in creating his legend - don't they?...

Review: SUSIE MCCABE: COMING OF RAGE, King's Theatre


by Natalie O'Donoghue - March 28, 2026

McCabe is back and she has more to say than ever. After a health scare at 44, she was on a path to a more stress free life… Then her life came crashing down around her, followed by having to show her mum how to live in the modern tech world....

Past Shows

Fall Festival
Nov 9

The Fall Festival, presented by the Social Justice Choir of Southeastern Massachusetts, features a blend of choral music and community activism, fostering unity through song....

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