EDINBURGH 2025: Review: DREAM SPACE, Assembly George Square
Dream Space by Creative Group SSAK is a shimmering piece of theatrical magic, transforming the everyday into the extraordinary through inventive puppetry, music, and movement.
EDINBURGH 2025: Review: MILK ON THE SIDE: A BARISTA MUSICAL, The Speakeasy at The Royal Scots Club
Milk on the Side: a Barista Musical is a show at the Edinburgh Festival Fringe this year which was produced by Short and Sweet Theatre.
EDINBURGH 2025: Review: CAN'T TALK RIGHT NOW, TheSpace On The Mile
In 45 minutes, Can't Talk Right Now, a sung-through musical, explores the complexities of human nature and finding what you want from life.
M4 Festival Returns To Glasgow With Expanded Lineup and New Venue
After a stand out debut in 2024, M4 Festival is back - returning for its second year at a new home: SWG3, Glasgow.
EDINBURGH 2025: Review: JAZZ EMU: THE PLEASURE IS ALL YOURS, Queen Dome At Pleasance Dome
You may have caught him as a previous Fringe favourite or perhaps on his TikTok channel or perhaps you’ve just discovered him during this festival.
EDINBURGH 2025: Review: KARINE POLWART: WINDBLOWN, Queen's Hall
Too old and unsteady to move, too vulnerable to survive on its own, the lofty Sabal palm of Edinburgh’s Royal Botanic Garden reflects on two hundred years of containment, dislocation and human care, as it outgrows its 19th century glasshouse home and approaches its chainsaw demise, making way for
EDINBURGH 2025: Review: ADA & BRON: THE ORIGIN OF LOVE, Pleasance Courtyard
Gloriously unhinged BAFTA-nominated newcomers Ada and Bron bring their chaotic brand of sketch character comedy to the Edinburgh Fringe with The Origin of Love, a fast-paced, surreal and delightfully filthy exploration of romance, in all of its very strangest forms.
EDINBURGH 2025: Review: RAJIV KARIA: MAN ALIVE!, Pleasance Courtyard
Rajiv Karia’s Man Alive! is a thoughtful and sharply observed hour, which asks big questions with a light, playful touch.
EDINBURGH 2025: Review: LOVE ME LIKE A CHAI TEA LATTE, Assembly Roxy
Love Me Like a Chai Tea Latte is a comedy/theatre show making its Edinburgh Fringe debut this year.
EXHAUSTED PAINT: THE DEATH OF VAN GOGH Comes to theSpace@Surgeons' Hall
Exhausted Paint: The Death of Van Gogh dives deep into the turbulent thoughts and feelings of a man who set fire to established ideas of art – destroying himself in the process.
EDINBURGH 2025: Review: POP OFF, MICHELANGELO, Underbelly
After a smash hit 2024 season and fresh off a 9-week London run, best-pals-turned-bitter-rivals Michelangelo and Leonardo da Vinci return to Edinburgh! A bloodthirsty friar is on the hunt for homosexuals in Renaissance Italy just when childhood friends Mike and Leo realise they both like boys.
EDINBURGH 2025: Review: DUNHUANG, The Space @ Symposium Hall
I would be unsurprised to learn that Dunhuang was directed by a composer.
EDINBURGH 2025: Review: SCATTER: A HORROR PLAY, Underbelly
Horror media, in any form, is often one of the most difficult genres to get right.
EDINBURGH 2025: Review: JOHNNY WHITE REALLY-REALLY: AM/PM, Monkey Barrel Comedy (Hive 2)
Unusual comedian Johnny White Really Really is back at the Edinburgh Fringe with new show am/pm.
EDINBURGH 2025: Review: MICHELLE BRASIER: IT'S A SHAME WE WON'T BE FRIENDS NEXT YEAR, Gilded Balloon At The Museum
In Year 6 Michelle Brasier’s mate uttered nine words that, at 30, still ring in her ears.
EDINBURGH 2025: Review: LUCY PEARMAN: LUNARTIC, CabVol 1 At Monkey Barrel Comedy
Alternative, kooky character comedy great Lucy Pearman (BBC Three’s Please Help, BBC’s The Mind of Herbert Clunkerdunk, BBC2’s Mister Winner) is back with her first Edinburgh Fringe hour since 2019’s Baggage.
EDINBURGH 2025: Review: DIVAS: FROM STAGE TO SCREEN, Studio @ Paradise In Augustines
Don’t be fooled by the gentle, speakeasy vibe of the entrance music: these are certified divas, here to take you through a showstopping mix of music from various films and musicals.
EDINBURGH 2025: Review: DOUGLAS WIDICK: PAPERCLIP, The Penny, Gilded Balloon, Patter House
Douglas Widick’s Paperclip is a witty, genre-bending thrill ride, which imagines a world where the fate of humanity rests in the hands or rather, the wires of Microsoft Word’s long-forgotten writing assistant Clippy.
EDINBURGH 2025: Review: GRACE HELBIG: LET ME GET THIS OFF MY CHEST, Jack Dome at Pleasance Dome
For the past 17 years, Grace Helbig has been building her online presence as a content creator.
EDINBURGH 2025: Review: CHURCH OF THE CLITORI, The Annexe At Paradise In The Vault
Prepare to be indoctrinated into your new favourite cult! This show is exactly as it says on the tin: a pseudo-religious service with all the elements required to make up (or make fun of) a church.
EDINBURGH 2025: Review: THE DURHAM REVUE: SKETCH MARKS THE SPOT, Underbelly
The Durham Revue's latest may not be their finest hour, but it sure is a fun one.
#CHARLOTTESVILLE Performed for Visiting Team from Virginia at Edinburgh Fringe
Members of the Live Arts Fringe Team from Charlottesville, Virginia, attended #CHARLOTTESVILLE at the Edinburgh Festival Fringe, meeting creator-performer Priyanka Shetty.
ALMOST IMPOSSIBLE 2.0: Martin Brock Brings World-Class Magic to the Edinburgh Festival Fringe
Danish magician Martin Brock is dazzling audiences at this year’s Edinburgh Festival Fringe with his fast-paced, family-friendly show Almost Impossible 2.
EDINBURGH 2025: Review: AYO ADENEKAN: BLACK MEDIOCRITY, Monkey Barrel
Ayo Adenekan makes his highly anticipated Fringe debut with a hilarious and heartfelt show about growing up in Scotland.
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