EDINBURGH 2023: Review: DNA, TheSpace On The Mile
The Parker & Schnell Youth Company showcase the immense talent of young people through their performance of ‘DNA’.
The latest reviews and critic recommendations from Scotland.
The Parker & Schnell Youth Company showcase the immense talent of young people through their performance of ‘DNA’.
Ania Magliano solidifies herself as a star of the UK Comedy scene with her latest hour of stand up.
The glam queen showcases her knack for storytelling, comedy and operatic vocals (that RANGE though) in an anecdote-filled, fabulous performance extravaganza.
Faizal Abdullah launches an engaging, thought-provoking, unique and deeply personal exploration of Malay identity in Singapore through his performative lecture Siapa Yang Bawa Melayu Aku Pergi? (Who Took My Malay Away?)
Comedian Sofie Hagen brings Banglord to Monkey Barrel.
A new hour of stand-up by the wee guy with the glasses from Glasgow.
Tones: A Hip-Hop Opera marks fifty years of Hip Hop wonderfully by sticking to the roots of the music all the while showing just how far it has come.
A queer immersive nightclub musical based on the life of Oscar Wilde? In theory, this sounds incredible.
Though it comes off as the only reason for the play to exist, the campaign remains an important subject.
What ties down the project is the one-woman aspect of it.
Directed by Elizabeth Kaye Sortun, while it offers a look at the complexities of toxic dynamics, coercion, consent, and control, it doesn’t truly achieve its goal.
Lily Wolff directs with gorgeous brushstrokes.
It’s a tale of resilience, resentment, and regret told with instinctive storytelling and a dash of friendly advice.
Captivating writing is matched by a tireless performance that transports you in time with a complex breakdown of drug abuse.
The Edinburgh Fringe truly demonstrates that anything can be a musical.
Fielding Edlow: Gaslighting Is My Love Language is a celebration of one woman’s independence but also a reflection on life choices and how to move forward after over a decade of a difficult marriage.
As someone who worked in an opera house in New York and volunteers with an opera house in London, I have had quite a bit of experience with the genre and several different shows.
What do bananas, parcels, and a tit on a stick have in common? They all play crucial roles in Olaf Falafel: Look What Fell Out of My Head.
If the show had simply been categorised as “Music” and not “Comedy,” I believe that I would have enjoyed it more, as I went in expecting more comedy than simply singing and playing instruments.
I’m sick of everyone moaning all the time, so I’ve written a show about how bloody great everything is.
There are rare occasions in the theatre when dance, film, music, adaptation, ensemble and puppetry combine to create magic.
Ella Lovelady’s debut play End of the World really does include everything but the kitchen sink.
Following an NYC preview run, Midnight Building is a contemporary drama that is guaranteed to spark debate and make you question your morals.
'Queers in classrooms!' 'Perverts panicking parents!' – a new musical about pride, protest… and abseiling lesbians.
Super feels just as artificial and hollow as the characters it is portraying.
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Antigone 1989: A Town Hall Musical Gilded Balloon Patter House (8/05-8/29) |
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Gallant Pioneers OVO Hydro (8/28-8/28) |
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Furniture Boys Underbelly (Jersey) (8/05-8/30) |
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One Man Poe: The Tell-Tale Heart and The Pit and the Pendulum Greenside Venue @ Riddles Court (Willow Studio) – Venue 16 - 322 Lawnmarket, Edinburgh EH1 2PG (8/08-8/28) |
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A Costume Drama ZOO (Playground 3) (8/07-8/30) |
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Long Way Home Gilded Balloon (Snug) (8/05-8/31) |
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Shamilton! The Improvised Hip Hop Musical Assembly George Square Studios - One (8/05-8/30) |
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Giovanni: Unstoppable Alhambra Theatre (4/11-4/11) |
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The Business Man and The Case of M. Valdemar Greenside Venue @ Riddles Court (Willow Studio) – Venue 16 - 322 Lawnmarket, Edinburgh EH1 2PG (8/07-8/28) |
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Jitters Summerhall (8/06-8/30) |