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Interview: Mezzo-soprano Jamie Barton Talks Boston Lyric Opera's Production of CAROUSEL

The legend of Boston’s Emerson Colonial Theatre stems in part from the many pre-Broadway tryouts that have and continue to take place there, including not one but two now-iconic Richard Rodgers and Oscar Hammerstein II musicals, 1943’s “Oklahoma!” – when it was still being called “Away We Go!” – and 1945’s “Carousel.”

Photos: Jessica Hecht Stars In A MOTHER At Baryshnikov Arts

Baryshnikov Arts has released first look photos of A MOTHER, a new play written by Neena Beber and co-conceived by Beber and Jessica Hecht. Directed by Maria Mileaf with choreography by Shura Baryshnikov and musical direction by Mustapha Khan.

Fergie Philippe Joins A MOTHER at Baryshnikov Arts

Baryshnikov Arts will begin its 20th Anniversary Spring Season with A MOTHER, a new play written by Neena Beber and co-conceived by Beber and Jessica Hecht. See who is starring and learn more!

Fergie Philippe Joins Jessica Hecht in A MOTHER at Baryshnikov Arts

Baryshnikov Arts will begin its 20th Anniversary Spring Season with A MOTHER, a new play written by Neena Beber and co-conceived by Beber and Jessica Hecht. Fergie Philippe joins the previously announced Hecht, Delilah Napier, Zane Pais, and Portia.

Boston Lyric Opera To Present CAROUSEL 80th Anniversary Production

Boston Lyric Opera will present an 80th anniversary production of “RODGERS & HAMMERSTEIN'S ‘CAROUSEL,'” directed by BLO Artistic Associate Anne Bogart, conducted by BLO Music Director David Angus, and running April 4-13, 2025 at the Emerson Colonial Theatre.

Review: A Creepy ENOUGH TO LET THE LIGHT IN At Contemporary American Theater Festival

As a vehicle for making things go bump in the night, I’m not sure this show consistently hits the target. It is a bit too much of a human interest story for that, but a bit too bump-filled to work smoothly as a human interest story either. Yet there are some legitimate skin-crawling moments, and the story reaches as reasonable a conclusion as it can, taking into account the subject-matter and the indeterminacy of the ending I mentioned. Theatergoers may walk out arguing about that ending, which is probably a good thing. But it will in any event have been an entertaining ride reaching that point.

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