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THE REMARKABLE BEN HART Will Embark on UK Tour

Following sold-out shows around the world, multi award-winning magician Ben Hart will return to the UK with a brand-new mind-bending theatrical experience.

Review Roundup: Did Rami Malek Impress in OEDIPUS?

Ella Hickson’s epic and revelatory version of Sophocles’ transcendent tragedy, Oedipus, co-directed by Hofesh Shechter and Matthew Warchus has now opened at The Old Vic.

Review: OEDIPUS, The Old Vic

​​​​​​​It’s difficult to imagine anyone watching Oedipus without having prior knowledge of the story’s brutal twist - especially the case given that a rival production of the same play has just closed in the West End to critical acclaim.

Critics' Choice: Franco Milazzo's Best Shows Of 2024

Writing stage reviews is an adventure I have yet to tire of. This year, I sat in the dark and scribbled hieroglyphics into my notebook in a dark room as I watched opera, cabaret, dance, circus, comedy, clowns, musicals, concert films, buckets of immersive shows (theatre, dining, even panto) and even some theatre.

Gwilym Lee Joins Cast of DEAR ENGLAND

The National Theatre has announced that Gwilym Lee will play former England manager Gareth Southgate in the return of James Graham’s production of Dear England at the Olivier Theatre.

Review: RUINATION, Royal Ballet and Opera

In a season where theatres are filled with the usual hoary horde - here a Christmas Carol, there a Nutcracker or Messiah - the Royal Opera House deserves praise and maybe even a standing ovation for bringing back its Yuletide hit from 2022. Ben Duke’s Ruination (a co-production between the Royal Ballet and his Lost Dog company) is perfect for this time of year, being a work about reflecting on the recent past and built around the notions of love, family and children. Then again, those expecting something cheery may also want to consider that the source material is Euripides’s Medea, a Greek tragedy that makes Titus Andronicus look like an episode of Bluey.

Review: OEDIPUS, Wyndham's Theatre

Flashback to a dreary Thursday evening in mid-January. Not exactly prime time for prestigious announcements. We were at a show, relaxing on our sofa, or having one last drink before heading home when phones started vibrating left and right. Out of the blue, apparently randomly, two different productions of Sophocles’ most buzzy tragedy were announced.

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