Milton Elliott News

Ruth Stage Social Media Manager Nijayè Owens takes over BroadwayWorld.com's Instagram today to give our readers a behind the scenes look at Lone Star! 

Ruth Stage has released all new production photos from their off-Broadway premiere of James McLure’s dark comedy Lone Star. Lone Star is currently in preview performances, with an Opening Night set for this Sunday, December 3rd at Theatre Row. Check out the photos here!

BroadwayWorld's Richard Ridge chats with the cast of Lone Star Off-Broadway!

Get a first look at Lone Star Off-Broadway!

DAN AMBOYER joins the cast of 'LONE STAR' off-Broadway at Theatre Row. Performances start on Nov. 25.

RUTH STAGE partners with veterans organizations for the off-Broadway premiere of 'LONE STAR,' raising awareness for veterans' issues.

Barton Cowperthwaite joins the cast of 'LONE STAR' Off-Broadway at Theatre Row. Find out more about the upcoming premiere.

Ruth Stage’s provocative and controversial modern staging of Cat on a Hot Tin Roof is entering its final two weeks of performances of the strictly-limited re-engagement at the Theatre at St. Clement’s.

Check out photos of the Off-Broadway return of Cat on a Hot Tin Roof at the Theatre at St. Clement's!

Get a first look at Ruth Stage’s provocative and controversial modern staging of Cat on a Hot Tin Roof, returning off-Broadway tonight.

Ruth Stage has announced that two-time Tony Award nominee Alison Fraser (The Secret Garden) will reprise her role as ‘Big Mama’, as well as announcing the complete casting for their provocative and controversial modern staging of Cat on a Hot Tin Roof.

There are just two weeks left to experience Cat On A Hot Tin Roof, in a new production by Ruth Stage at The Theater at St. Clements. Directed by Joe Rosario (Flowers for Algernon), this is the first production of the Tennessee Williams play that his estate has allowed to be produced Off-Broadway. This production will close August 14, as scheduled.

Cat On A Hot Tin Roof, in a new production by Ruth Stage, is currently in previews at The Theater at St. Clements with opening night set for July 24. Directed by Joe Rosario (Flowers for Algernon), the play stars Sonoya Mizuno as Maggie, Matt de Rogatis as Brick and more. Get a first look at photos here!

Cat On A Hot Tin Roof, in a new production by Ruth Stage, will play The Theater at St. Clements beginning previews July 15, and opening night is set for July 24. 

Cat On A Hot Tin Roof, in a new production by Ruth Stage, will play The Theater at St. Clements (423 W. 46th Street) beginning previews July 15, and opening night is set for July 24. The original scheduled run of this production, which had been announced for January, 2022, was postponed due to the ongoing health crisis.

Cat On A Hot Tin Roof, in a new production by Ruth Stage, will play The Theater at St. Clements (423 W. 46th Street). Cat On a Hot Tin Roof begins previews January 14, and opening night is set for January 23.

The Abingdon Theatre Company (Chad Austin, Artistic Director) in association with Jim Kierstead, will present a reading of *Rebound, a new play by Dan Haft and David Logan Rankin on Monday, November 18th at 3pm at The Vineyard Theatre* (108 East 15th Street). The reading is FREE. However, reservations are required.

Theater for the New City will present Tony nominated theatre luminary Austin Pendleton's adaptation of Richard III, Shakespeare's greatest villain, WARS OF THE ROSES: HENRY VI & RICHARD III  beginning tonight (Monday, December 3rd) for three nights only,  including December 4th and 5th.

Theater for the New City has announced that due to popular demand they will be presenting Tony nominated theatre luminary Austin Pendleton's adaptation of Richard III, Shakespeare's greatest villain, WARS OF THE ROSES: HENRY VI & RICHARD III for three nights only December 3rd, 4th and 5th.

The stage is quite empty, save for a makeshift throne in a corner and a couple of rows of ordinary looking chairs in the back, where actors not involved with scenes sit. The costumes are contemporary clothes, mostly black, with the occasional embellishment to suggest the 15th Century setting. When a character is in need of a dagger, he'll grab one of the two hanging from ropes on either side of the stage.