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92NY Presents Music From The Sole: Partido

The 92nd Street Y Harkness Dance Center's 2022/23 Mainstage Series continues with Partido, an evening-length work of tap dance, body percussion and live music that explores the convergence of percussive dance with contemporary urban dance and music in the US and Brazil.

STEALING MONA LISA Comes to Theater For The New City This Month

August 21, 1911, wasn't just another day at the Louvre in Paris. Security guards discovered that the Mona Lisa, at a time when art work was being photographed, was missing. Who took the Mona Lisa? The cry spread across newspapers and nations.

HILLSONG: A MEGACHURCH EXPOSED Docu-Series to Air on TLC

TLC is set to debut an all-new fourth episode of the docuseries, HILLSONG: A MEGACHURCH EXPOSED, revealing new details and facts surrounding the star-studded Hillsong megachurch’s shocking scandal and fall from grace. The docuseries stunned audiences when it originally aired its first three parts on discovery+.

Photos: Go Inside BROADWAY BLOCKBUSTERS with The New York Pops

Last night, The New York Pops-led by Music Director and Conductor Steven Reineke was joined by guest artists Nikki Renée Daniels, Jordan Donica, Matt Doyle, and Melissa Errico, as well as Judith Clurman's Essential Voices USA in Stern Auditorium / Perelman Stage at Carnegie Hall for Broadway Blockbusters. Check out the photos here!

South Bend Symphony Orchestra HOME FOR THE HOLIDAYS Announced December 17

Home for the Holidays with the South Bend Symphony Orchestra combines seasonal favorites, storytelling, and more! Guest conductor Geoffery Larson, renowned Irish-American Baritone Emmett O'Hanlon, Notre Dame Concordia Octet, and Southold Dance Theater unite with the Symphony to create South Bend's favorite holiday performance.

Review: AUFSTIEG UND FALL DER STADT MAHAGONNY at Grand Théâtre

This week, it was our pleasure to attend the premiere of Kurt Weill’s Rise and Fall of the City of Mahagonny at our esteemed Grand Théâtre of Luxembourg. This controversial play from 1930 narrates the moral decline of a city oriented towards little more than hedonism and debauchery, where self-indulgence is the only voice that matters.

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