The Met has announced themed lineups for the next three weeks of its Nightly Met Opera Streams, a free series of encore Live in HD presentations and classic telecasts streamed on the company's website during the coronavirus closure.
The Metropolitan Opera announced today that the ongoing health crisis has resulted in the cancellation of the entire 2020-21 season, but the company also announced ambitious artistic plans for its 2021-22 season, which will open with the Met premiere of Terence Blanchard's Fire Shut Up in My Bones.
The Met has announced the Week 15 schedule for its Nightly Met Opera Streams, a free series of encore Live in HD presentations streamed on the company website during the coronavirus closure. Highlights include the Met's classic 1991 telecast of Donizetti's L'Elisir d'Amore, with Kathleen Battle and Luciano Pavarotti, John Adams's Doctor Atomic starring Gerald Finley, and Massenet's Manon, with Lisette Oropesa in the title role.
Today, the San Antonio Symphony announced details of the 2020-21 Classical Season which will mark its first concerts back in the Tobin Center for the Performing Arts.
Today, the Metropolitan Opera announced its 2020-21 season, the first in which Yannick Nézet-Séguin assumes his full breadth of musical duties as the company's Jeanette Lerman-Neubauer Music Director, conducting six productions. His schedule includes the Met premiere of Jake Heggie's Dead Man Walking, the first contemporary opera conducted by the maestro on the Met stage, as part of his ongoing commitment to opera of our time at the Met, which will expand in the seasons to come.
Central City Opera's 2020 Summer Festival opens with a bang on July 4 with Rodgers & Hammerstein's beloved musical Carousel, followed by Verdi's thriller, Rigoletto, and Purcell's bewitching, hour-long opera Dido and Aeneas. The four-week celebration of storytelling and powerful voices in the historic mountain mining town features electrifyingly close encounters with classical music's biggest talent, the Central City Opera Orchestra and rising stars from the Bonfils-Stanton Foundation Artists Training Program.
The whimsical tale of The Magic Flute comes to life at Washington National Opera (WNO) at the Kennedy Center Opera House from November 2a?"23, 2019. Performed in English with projected surtitles, this production of The Magic Flute features design by famed children's author/illustrator Maurice Sendak. This light-hearted and comical opera is a delight for newcomers and opera fans alike.
Lyric Opera of Kansas City opens its 2019-2020 season with a risqué screwball comedy, The Abduction from the Seraglio. This production transplants Mozart's glorious melodies to the golden age of Hollywood, evocative of the films It Happened One Night and Road to Morocco.
Puccini's Madame Butterfly will launch Nashville Opera's 2019-20 season, which is described as "a compelling mix of beloved favorites and important 20th century works."
For the first time in history, Ariodante has stepped on the Monte-Carlo Opera stage, bewildering and enchanting the Monegasque audience in this 3+ hour opera by Handel. Following the success of the Salzberg Festival production (under the keen eye of Christof Loy), the opera is set in the captivating Salle Garnier with no other than Cecilia Bartoli playing the role of Ariodante.
The Metropolitan Opera and WQXR, New York's all classical music station, announce ARIA CODE, a new 10-episode podcast series that pulls the curtain back on some of opera's most legendary arias.
For its 2018-19 season, the 200-voice Oratorio Society of New York, led by Music Director Kent Tritle, is expanding its annual Carnegie Hall season to four concerts.
For its 2018-19 season, the 200-voice Oratorio Society of New York, led by Music Director Kent Tritle, is expanding its annual Carnegie Hall season to four concerts.
Tickets go on sale today for the Met's Emmy® and Peabody Award-winning Live in HD series' 2017-18 season, which begins on October 7 with the company's new production of Bellini's Norma.
As both a celebration of the Washington National Opera and a culmination of the John F. Kennedy Center for the Performing Arts' Leonard Bernstein at 100 celebration, last weekend's Opera Gala definitely found success. While the evening had its share of disappointments (Titus Burgess of Unbreakable Kimmy Schmidt fame fell ill and was unable to perform; Patti LuPone, the top-billed artist of the evening, performed only two fairly short numbers) there was an undeniable electricity to the night. Previously, the WNO held an annual ball which, according to Kennedy Center Chairman David Rubenstein, included neither opera nor a ball. Switching the format to one with a formal gala reception, an opera-filled performance, and elegant dinners hosted by Ambassadors and foreign dignitaries proved the Kennedy Center can still pull off some new tricks.
Washington National Opera concludes its 2017-2018 season with the company premiere of Leonard Bernstein's biting satire Candide, running now through May 26, 2018, in the Kennedy Center Opera House.