Lyric Opera of Chicago presents a new production of The Magic Flute (Die Zauberflote), Wolfgang Amadeus Mozart's beloved, enchanting opera about the triumph of good over evil.
Lyric Opera of Chicago presents an all-new production of Mozart's The Magic Flute just in time for the holidays, December 10, 2016 - January 27, 2017.
Lyric Opera of Chicago presents a new production of The Magic Flute (Die Zauberflote), Wolfgang Amadeus Mozart's beloved, enchanting opera about the triumph of good over evil.
The Oratorio Society of New York fulfills its role as New York's champion of the grand choral tradition with the opening program of its 2016-17 season: Mozart's "Great" Mass in C Minor, written to celebrate the composer's marriage, and Bruckner's Te Deum, a gem of a 19th-century choral masterwork that Bruckner called "the pride of my life."
The Oratorio Society of New York (OSNY), New York's standard for grand choral performance, will mark its 2016-17 season with performances of symphonic choral masterworks of Handel, Mozart, Bruckner, and Britten, ending with Bach's monumental Mass in B Minor. Leading the OSNY for its 144th season will be Kent Tritle, in his 12th year as Music Director.
Poor Beaumarchais. A crucial friend of the American Revolution, French playwright Pierre Beaumarchais's great Figaro comedies have been both favored and scorned by history. Just two years after The Marriage of Figaro premiered in Paris, Mozart's 1786 adaptation eclipsed the theater version, remaining one of opera's supreme masterworks to this day. And the Rossini version of the first Figaro play, THE BARBER OF SEVILLE, has a been an operagoer's favorite ever since its Rome premiere in 1816.
The Oratorio Society of New York fulfills its role as New York's champion of the grand choral tradition with the opening program of its 2016-17 season: Mozart's "Great" Mass in C Minor, written to celebrate the composer's marriage, and Bruckner's Te Deum, a gem of a 19th-century choral masterwork that Bruckner called "the pride of my life."
Lyric Opera of Chicago presents an all-new production of Mozart's The Magic Flute just in time for the holidays, December 10, 2016 - January 27, 2017.
The Oratorio Society of New York (OSNY), New York's standard for grand choral performance, will mark its 2016-17 season with performances of symphonic choral masterworks of Handel, Mozart, Bruckner, and Britten, ending with Bach's monumental Mass in B Minor. Leading the OSNY for its 144th season will be Kent Tritle, in his 12th year as Music Director.
SDG Music Foundation's 2016 Chicago Bach Project concert will feature J. S. Bach's monumental 'Mass in B Minor,' BWV 232, with Grammy Award-winner John Nelson conducting an all-new cast of soloists and the Chicago Bach Choir and Orchestra.
SDG Music Foundation's 2016 Chicago Bach Project concert will feature J. S. Bach's monumental 'Mass in B Minor,' BWV 232, with Grammy Award-winner John Nelson conducting an all-new cast of soloists and the Chicago Bach Choir and Orchestra.
The Metropolitan Opera's 2016-17 season, the 50th anniversary of its home at Lincoln Center, will feature 225 opera performances of 26 operas in a varied repertory that ranges from 18th century masterpieces to one of the most acclaimed operas in recent years. Repertoire for the company's 132nd season will include the Met premiere of Finnish composer Kaija Saariaho's 2000 opera L'Amour de Loin, as well as new stagings of Wagner's Tristan und Isolde, Rossini's Guillaume Tell, Gounod's Romeo et Juliette, Dvo?ak's Rusalka, and Strauss's Der Rosenkavalier. A gala concert on May 7, 2017 will celebrate the 50th anniversary of the company's Lincoln Center location with performances by opera's leading stars honoring the Met's past and future. Ticket prices will not increase, remaining the same as in the current season, and audience development programs instituted by the company in recent years will continue.
Lyric Opera of Chicago's general director Anthony Freud and music director Sir Andrew Davis confirmed today the repertoire and casting for the company's 2016/17 season - the second season that they have fully planned together.
Canada's greatest achievement in music, LOUIS RIEL, is returning to the Canadian Opera Company stage in a new production to help mark the 150th anniversary of the country's confederation. LOUIS RIEL is one of six landmark operas unveiled today at the public launch of the COC's 2016/2017 season at the Four Seasons Centre for the Performing Arts.
Over the summer, the Glimmerglass Festival presented Bernstein's take on Candide. As philosophical as it is satirical, the productiontransports Voltaire's novella and its Enlightenment-era ideas to the stage, and features classic tunes such as 'The Best of All Possible Worlds,' 'Glitter and Be Gay' and 'Make our Garden Grow.' WQXR just featured the show as a part of its Saturday at the Opera series, and you can check out audio of the broadcast below!
I am taken back to the first Opera I saw as a kid and the pomp and circumstance with wearing a tux and walking to the lavish theatre; this was when I fell in love with classical music. Often times we hear opera and other classical art forms are inaccessible to the people, but Houston Grand Opera's English translation of Mozart's THE MAGIC FLUTE (Die Zauberflote) proved that opera isn't a stuffy, highbrow art form for the bourgeois. THE MAGIC FLUTE premiered on September 30, 1791 at Emanuel Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, and Mozart conducted the orchestra. The MAGIC FLUTE often referenced as a singspiel, is an opus with spoken dialogue which lends itself to the elements of classical musical theatre. The heart of this new work was an excerpt from the oriental genie tales collected by poet Christoph Martin Wieland but transitioned to have Masonic elements from the novel Sethos by Abbe Jean Terrasson.
The Helpmann Awards, which has recognised the achievements in live performance in Australia since 2001, is the Australian industry's equivalent of the Tony Awards and the Olivier Awards.
The Helpmann Awards are Australia's version of Broadway's Tony Awards and London's Olivier Awards. The annual awards recognise achievement in live performance including musical theatre, contemporary music, comedy, cabaret, opera, classical music, theatre, dance and physical theatre.
THE MAGIC FLUTE (Die Zauberflote), Mozart's last great work, is sometimes viewed as the precursor to musical theater. Mozart's friend, actor-producer Emanuel Schikaneder, wrote the original libretto in the German vernacular (as opposed to the more upper crust Italian) as a 'singspiel,' a play with music. In fact, THE MAGIC FLUTE has significantly more spoken dialogue than The Phantom of the Opera and certainly far more than Les Miserables.
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