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The Classics Theatre Project Announces 2022 Season

The Classics Theatre Project Announces 2022 Season

by Chloe Rabinowitz — February 8, 2022

The Classics Theatre Project, under the artistic direction of Joey Folsom, has curated a 2022 season of four dynamic productions fitting the company's mission to bring the classics to audiences in accessible and relevant ways.

The Classics Theatre Project to Hold Auditions for 2022 Season

The Classics Theatre Project to Hold Auditions for 2022 Season

by Chloe Rabinowitz — January 24, 2022

THE CLASSICS THEATRE PROJECT is holding auditions for its 2022 season, seeking a wide range of non-equity actors for a variety of roles across four productions in the D-FW area which will perform between March-November of 2022.

The Classics Theatre Project Presents Eugene O'Neill's THE HAIRY APE

The Classics Theatre Project Presents Eugene O'Neill's THE HAIRY APE

by Stephi Wild — September 21, 2021

Since its return to live performances in June, The Classics Theatre Project has shown audiences just how much of a good time can be had with a classic through its Shakespeare under the stars experience of MUCH ADO ABOUT NOTHING, and just how hilarious a classic can be with its mounting of Molière's

THE IMAGINARY INVALID Will Be Performed By The Classics Theatre Project Next Month

THE IMAGINARY INVALID Will Be Performed By The Classics Theatre Project Next Month

by Stephi Wild — August 12, 2021

Considered one of the world's greatest comedic dramatists, Molière's quick-witted style of analyzing 17th Century French society, through uproariously sending up the types of people comprising it, was a driving factor in the evolution of social comedy and what has made his work endure through its h

The Canterbury Company Of Resident Artists Announced

The Canterbury Company Of Resident Artists Announced

by Stephi Wild — January 23, 2019

Joey Folsom, Artistic Director of The Classics Theatre Project, today announced the formation of a permanent Resident Artists Company for the theatre to be underwritten by Liese and Mike Canterbury.


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