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Birth Place: New York, USA

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Exclusive: SIDE SHOW: IN CONCERT Now Onsale!

Exclusive: Side Show: In Concert now onsale. Side Show comes to the London Palladium in a special, one-night-only concert spectacular on Sunday 3 March 2024.

Review: DREAMGIRLS at Lone Tree Arts Center

What did our critic think of DREAMGIRLS at LonDreamgirls is one of those rare gem musicals you don't often see produced due to its essential diversity - not an area where the Denver theatre scene currently thrives - so it's refreshing to see Lone Tree Arts Center tackle the show.e Tree Arts Center?

Review: DREAMGIRLS at Crown Arts Collaborative

Crown Arts Collaborative presents the historical Kansas premiere of Dreamgirls by Tom Eyen and Henry Krieger. A coming-of-age story set in the tumultuous music scene of the 1960s, with a frank look into the brutally ambitious side of show business. The journey of a wide-eyed singing trio from Chicago, The Dreamettes, hoping to find stardom. They travel to The Apollo Theatre to try their luck in a talent competition.

Bill Russell to Present MY SIDE OF THE SHOW at Birdland

Join Bill Russell in 'My Side of the Show' at Birdland as he delves into the captivating world of the Broadway musical 'Side Show.' Experience the magic and artistry of this beloved production in a unique concert setting. Don't miss this unforgettable exploration of one of Broadway's most cherished musicals.

Review: DREAMGIRLS at The Phoenix Theatre Company

The Phoenix Theatre Company’s production, directed by Daryl Brooks, has three key elements that hold this golden oldie together ~ Miciah Lathan, for sure; the astonishing and stellar performance of Antonio King; and, of course, the compositions of Henry Krieger and Tom Eyen. Runs through September 3rd.

Review: DREAMGIRLS at New Theatre & Restaurant

The point of musical theater (for most people) is pure entertainment, and the New Theatre & Restaurant original production of 1981’s DREAMGIRLS hits the bullseye. DREAMGIRLS is directed by Jerry Jay Cranford and stars a comparatively large, twenty-one member cast backed by an eight-piece orchestra.  Cranford has assembled a cast of Broadway belters and fine dancers to tell the tale of a Supremes-like black female singing trio around 1960 and in the decade to follow.   The show is flashy and impeccably costumed.  The set, while relatively simple, is technically superior. LED screens are used across the background to simulate locations.  Not much was spared when the producer was asked to fund this production.  Choreography by Courtney German is frenetic, well drilled, and perfectly appropriate for this genre.  The musical score is spectacular by Henry Krieger and Tom Eyen.   Several numbers (including the title track) became number one hits outside the show.

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