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Up on the Marquee: JOHN PROCTOR IS THE VILLAIN

John Proctor is the Villain is coming to Broadway soon! The new play by Kimberly Belflower, with direction by Tony Award winner Danya Taymor, is led by Sadie Sink. Check out photos of the new marquee at the Booth Theatre here.

Review: CLYDE'S at Mark Taper Forum

Quite possibly, a perfect production.  Two-time Pulitzer Prize-winning playwright Lynn Nottage’s Tony Award-nominated CLYDE’S at the Mark Taper Forum is heartfelt, funny, and seriously delicious.

Interview: Making Great Sandwiches Makes for a Great Life for CLYDE'S Reza Salazar

Clyde’s, the latest work of two-time Pulitzer Prize winner Lynn Nottage, just opened at the Mark Taper Forum November 15, 2022. Clyde’s centers around a truck stop (Clyde’s) staffed by rehabilitating ex-cons. Kate Whoriskey directs the cast of Kevin Kenerly, Tamberla Perry, Reza Salazar, Nedra Snipes and Garrett Young. Reza managed to squeeze out some time in between rehearsals to answer a few of my queries.

Center Theatre Group Announces Community Events To Celebrate CLYDE'S

Los Angeles' largest theatre company will host several events to celebrate the vibrancy and diversity of Los Angeles, nurture lifelong learning and human connection, and connect audiences with artists that are working at the highest levels of their own experience and craft with several events happening in November and December.

West Coast Premiere of CLYDE'S to Open at the Mark Taper Forum in November

Two-time Pulitzer Prize-winning playwright Lynn Nottage and director Kate Whoriskey will bring their latest Broadway triumph, “Clyde’s,” a co-production with Goodman Theatre in Chicago to the Mark Taper Forum November 15 to December 18. It recently concluded the Goodman engagement.

Review: CLYDE'S at Goodman Theatre

In CLYDE’S, playwright Lynn Nottage posits that salvation comes in the form of a sandwich...in more ways than one.

BWW Review: TRAYF at The Geffen Playhouse

The thing about Lindsay Joelle’s Trayf, now playing at the Geffen Playhouse, is that it has really excellent dialogue. In every sense of the word. The opening patter between two Chassidic teenage boys fizzes like a sketch comedy routine and the rhythm carries like a current through a lot of silliness and a lot of seriousness.

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