Eddie Cooper News

Next up in the Encores! Off-Center season is Promenade (July 10 & 11) as part of New York City Center's 75th Anniversary Season.

Next up in the Encores! Off-Center season is Promenade (July 10 & 11) as part of New York City Center's 75th Anniversary Season.

While the cast was in rehearsals, they stopped to play a little game that we like to call Synopsis Showdown! Watch as they find the words to tell us more about the almost forgotten musical!

Next up in the Encores! Off-Center season is Promenade (July 10 & 11) as part of New York City Center's 75th Anniversary Season. The cast is in rehearsals and gave us a special sneak peek! Go behind the scenes with the whole company below!

On this day in 2015, Jake Gyllenhaal and original 'Audrey', Ellen Greene took the stage at City Center in a concert production of the musical, Little Shop of Horrors.

Encores! Off-Center Artistic Director Anne Kauffman today announced casting for the production of Promenade (July 10 & 11) as part of New York City Center's 75th Anniversary Season.

Play+1 and Charging Moose Media announce Encounter Party!, an audio adventure governed by the rules of Dungeons & Dragons. Set inside the world of Ravnica from the popular game Magic: the Gathering, Encounter Party! takes five adventurers on an epic adventure filled with mystery, intrigue, puzzles, and of course, Encounters.

Classic Stage Company announces two events in conjunction with Tony Award-winner John Doyle's production of Marc Blitzstein's 1937 play in music The Cradle Will Rock. On May 14, legendary former New York Times labor reporter Steven Greenhouse, author of the forthcoming Beaten Down, Worked Up: The Past, Present, and Future of American Labor (Alfred A. Knopf, August 2019),and Kate Shindle, president of Actors' Equity Association, will discuss the history and current state of labor and union movements in relation to Cradle's timely and timeless themes. 

Classic Stage Company announces two exciting and illuminating events in conjunction with Tony Award-winner John Doyle's production of Marc Blitzstein's 1937 play in music The Cradle Will Rock.

Classic Stage Company presents Marc Blitzstein's allegorical play in music The Cradle Will Rock, directed by John Doyle, March 21 - May 19, 2019.

In June of 1937, the United States government padlocked New York's Maxine Elliot Theatre and sent security guards to prevent the performance of a new musical, but the unknown leading lady Olive Stanton courageously fought her fears and led an act of defiance that made headlines the morning after opening night.

Roundabout Theatre Company will host their fifth annual Casino Night, at the American Airlines Theatre (227 W. 42nd St). All proceeds benefit Roundabout Theatre Company's many programs, including the Education programs, the Theatrical Workforce Development Program and Artist Residencies.

The Broadway at Birdland concert series recently welcomed Tony winner Katrina Lenk and her friend and former cast member from The Band's Visit, George Abud in a one-night only concert called 'Swung.' The performance took place on Monday, March 4.

In the spirit of Classic Stage Company's new production of The Cradle Will Rock, Marc Blitzstein's historic pro-labor American play in music (March 21 - May 19), CSC is implementing a policy through which members of any union will receive $25 rush tickets to the show. In order to redeem these tickets, patrons must show their union ID at the box office the day of the performance they would like to attend, pending availability. This will be in addition to CSC's regular and student rush policies.

Last night was the official opening of the New York premiere of the musical Alice By Heart with book by Steven Sater with Jessie Nelson, music by Duncan Sheik, lyrics by Steven Sater and directed by Jessie Nelson.

Classic Stage Company presents Marc Blitzstein's allegorical play in music The Cradle Will Rock, directed by John Doyle, March 21 - May 19, 2019. A Depression-era indictment of rampant capitalism told almost entirely in song, The Cradle Will Rock maintains a twinkle in its eye while bearing sharp fangs. The 1937 premiere of this story of American class tensions-directed by Orson Welles-was famously shut down on the eve of opening night by federal authorities over so-called 'budget cuts,' commonly considered a thin veil for fears of the play's pro-labor stance. The artists involved rebelliously circumvented its cancellation, making for one of the most memorable stories in 20th century theater history. While Blitzstein's libretto is very much a product of its own 1930s political context, The Cradle Will Rock pulses with immediacy in an era of expanding economic inequality and policy for purchase. CSC's 2018-2019 season began with The Resistible Rise of Arturo Ui, Bertolt Brecht's allegory about the rise of fascism via a charismatic tyrant; this spring, it closes with an all-American Brecht-and-Weill-inspired work, which carries a message of defiance built into its very title.

Make a joyful noise! Last night, January 8, Manhattan Theatre Club's Broadway premiere of Choir Boy, written by Academy Award winner Tarell Alvin McCraney(Moonlight, The Brother/Sister Plays) and directed by Drama Desk Award nominee Trip Cullman, officially opened at the Samuel J. Friedman Theatre (261 West 47th Street).

BroadwayWorld has learned that just last week, Roundabout Theatre Company held a star-studded reading of Jason Robert Brown and Alfred Uhry's Parade, helmed by Tony nominee Michael Arden and led by Ben Platt as Leo Frank and Michaela Diamond as Lucille Frank.

What a gay ol' time! Michelle, with the insanely talented Joshua Stephen Kartes on the keys, will give you a night you WONT soon forget! They l'll take your favorite Broadway hits and turn them into new Jazz standards! With very special guests, infamous instagram darling @inappropriatepatti, AKA Jonathan Hoover and The Cher Show and Kinky Boot's own Blaine Krauss!! Full of shots, laughter, tears, and several improved musical moments! These two are sure to lift your spirits and rock your socks off! Directed by Mitchell Walker.

No, director/designer John Doyle does not have Raul Esparza wearing a blonde wig when he delivers his climatic oratory at the close of CSC's revival of Bertolt Brecht's 1941 allegorical satire, THE RESISTIBLE RISE OF ARTURO UI, but listen closely to the chant of the crowd provided by sound designer Matt Stine and the production's message is ever so clear.