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Feature: BEYOND CASTING: THE PLAY IS THE THING

While casting practices have evolved to enhance diversity (albeit, too slowly and not enough), the selection of plays remains strikingly homogeneous. We need to focus on what is produced as much as who is cast.

Student Blog: One More Triton Autumn

In July I spent a few days in New York City, and one morning, I had the chance to grab breakfast with a director I admire who graduated from UCSD. About midway through our conversation, she asked me a question so stunningly simple that for a few seconds I had no idea how to answer. “What do you want to do this year?”

Elevator Repair Service's GATZ Returns To The Public Theater In November

The Public Theater will present the final New York City encore presentation of Elevator Repair Service's critically acclaimed GATZ based on The Great Gatsby by F. Scott Fitzgerald. More than a decade after the last time the epic played at The Public, the production will once again bring this creative retelling of a classic to a new generation of audiences.

Review: Edge Of the Universe Theater's A NUMBER

Edge of the Universe Theater, in association with Avant Bard Theatre, turns up the family drama in an intimate, edgy production of A Number, directed by Stephen Jarrett, starring a real-life father and son. 

Cast Announced For James Ijames' GOOD BONES At The Public Theater

The Public Theater has announced casting for the long-anticipated New York premiere of GOOD BONES written by Pulitzer Prize winner James Ijames and directed by Public Theater Associate Artistic Director/Resident Director Saheem Ali.

Review: L'AMORE DEL CUORE (HEART'S DESIRE), Coronet Theatre

The Coronet might be the most internationally inclined venue in London. From hosting Japanese companies to putting on an entire programme of Taiwanese work, they stage remarkable projects. Once the home of the Italian Theatre Festival, the theatre is now presenting a translation of one of Britain’s most prominent authors.

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