Review: CLOUD 9: The Inheritance of Empire at The Rogue Theatre
by Robert Encila-Celdran
- Nov 11, 2025
Some art offends not out of malice, but out of necessity. It erodes our defenses and upsets the hierarchies we've internalized for generations. Cloud 9 thrives in that awkward space where laughter and shock trade places. Caryl Churchill's comedy, though seemingly gratuitous, diagnoses our assumptions about who truly holds power.
The History of Feminist Plays That Came Before LIBERATION
by Jennifer Ashley Tepper
- Oct 28, 2025
As the fight for women to have equal rights and opportunities has evolved, so has the presence of plays telling these stories. When I wrote my book, Women Writing Musicals: The Legacy that the History Books Left Out, the first-ever book about female musical theatre writers, I researched many musicals that are in this genre as well.
What Is Absurdist Theatre? Inside the Movement that Changed Modern Drama
by Sidney Paterra
- Oct 18, 2025
This fall, Samuel Beckett’s Waiting for Godot is once again drawing audiences to Broadway, with its enigmatic blend of humor, hopelessness, and haunting stillness. It’s a timely reminder of how profoundly absurdist theatre reshaped the modern stage—inviting audiences to laugh at the meaningless, search for significance in repetition, and confront the unsettling question at the heart of human existence: Why are we here at all?
Review: THREE BILLION LETTERS, Riverside Studios
by Cindy Marcolina
- Aug 14, 2025
We are delighted to report that real fringe theatre is back. The invigorating, daring, challenging, form-subverting kind of venture that makes the stage its playground. We haven’t encountered anything like this since before Covid. There isn’t a lot of theatre with specifically scientific research as its core, either. Commercially, The Effect (Lucy Prebble’s play about a clinical trial) had a revival in 2023 with Jamie Lloyd at the helm and Caryl Churchill’s evergreen reflection on human-cloning, A Number, was on just the year before (curiously, both starred Paapa Essiedu). Looking away from the West End, it’s even harder to find something that sits firmly at the junction with science. Three Billion Letters swoops in at the rescue and begs you to think. Created by TAKDAJA, the piece is a heady mix of data and experimentalism. Does our DNA control more than our eye colour and predisposition to illness? How do we determine our identity? There’s so much gene-ius in it.
Theatre For a New Audience Reveals 2025/26 Season Lineup
by Stephi Wild
- Jul 30, 2025
Theatre For a New Audience has announced its upcoming season which will kick off this September with performances of The Wild Duck. The remaining shows in the season include The Tragedy of Coriolanus and Teatro La Plaza's Hamlet.
Caryl Churchill's FAR AWAY Comes to Ambika P3 This August
by Stephi Wild
- Jul 15, 2025
25 years since its debut at the Royal Court Theatre, London-based site-specific theatre company Lost Text/Found Space will present Caryl Churchill's modern classic Far Away at the University of Westminster's Ambika P3 space.
Cast Set for THE BEACON at The Everyman
by Chloe Rabinowitz
- Jun 5, 2025
The Everyman has revealed the cast for their next major production, the West Cork thriller The Beacon by Bafta- nominated Irish writer Nancy Harris.
L.A. Theatre Works Launches Streaming Subscription Service
by Chloe Rabinowitz
- Jun 2, 2025
L.A. Theatre Works, the world’s foremost producer of audio theater, has launched a monthly subscription service offering global access plays in its catalog of classic, contemporary and original plays, with additional titles added every month.
News: Raven Theatre Reveals Titles for Season 43
by A.A. Cristi
- May 23, 2025
Chicago’s Raven Theatre Company has announced its 43rd season, with productions appearing on its Edgewater stages at 6157 N. Clark St. in the 2025 - 2026 season.
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