Ensemble Theatre Opens 2022-23 With SWEAT
by A.A. Cristi
- Aug 26, 2022
Ensemble Theatre Cincinnati opens its 37th year with the Pulitzer Prize–winning drama Sweat by MacArthur genius and two-time Pulitzer Prize-winner Lynn Nottage. Shining a powerful light on America's working class, Nottage infuses this searing script with her trademark mix of compassion, humor, and suspense. It's explosive drama, made in America. Playing September 17–October 9, 2022. Directed by Darnell Pierre Benjamin.
WE ARE TRAFFIC Comes to Edinburgh Fringe
by Stephi Wild
- Aug 16, 2022
WE ARE TRAFFIC: An Uber Adventure, Written and Performed by Jonathan Tipton Meyers and Directed by Harry Kakatsakis, comes to Edinburgh Fringe this month. Performanaces run August 3 – 28th.
Playwrights Announced For The Inaugural East By West UK/US Playwright Exchange
by Stephi Wild
- Aug 15, 2022
An Tobar and Mull Theatre in partnership with the Citizens Theatre, Ensemble Studio Theater (New York) and Wellfleet Harbor Actors Theater with support from Playwrights' Studio Scotland and Arch 468 have announced the playwrights who have been selected to take part in the inaugural The East by West UK/US Playwright Exchange.
Roundabout Announces 2022-23 Directing Fellow and Directors Group
by Chloe Rabinowitz
- Jul 21, 2022
Roundabout Theatre Company has announced the newest addition to the artistic team: Directing Fellow Mack Brown. Brown is the fifth Roundabout Directing Fellow. This season they will assist on multiple Roundabout productions, and work with the theatre's artistic team as a script reader and on developing two projects of their choosing.
WE ARE TRAFFIC - Confessions Of An Uber Driver Comes to Edinburgh Fringe 2022
by Stephi Wild
- Jun 10, 2022
When Jonathan Tipton Meyers lost his girlfriend, his business and his identity, he got in his car and drove. With the audience in the backseat, this bravura monologue chronicles Jonathan's two-year journey through the gig economy with Uber and Lyft. In a timely story simultaneously personal and universal, melancholy and hilarious, he explores – through vignettes based on actual passengers – how the vehicles of segregation might just be our best hope for integration.
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