Steve Underwood

The Good Theater presents a fresh take on its annual musical revue, BROADWAY AT THE GOOD: THE TWIN PIANO EDITION, this time honoring six seminal musicals from Broadway’s Golden Age, performed by a sprightly company of nine under the direction of Brian P. Allen, who conceived and directed the show and serves as its charming emcee.

The Good Theater opens its 21st season with a luminous production of Matthew Barber’s poignant 2017 play about the flickers of late-life romance, expertly directed by Brian P. Allen, starring Valerie Perri in a nuanced, delicate and incandescent performance. FIREFLIES, as the title and central metaphor suggest, draws a subtle portrait of the sparks that simmer repressed in a lonely woman’s soul, only to be kindled by the attentions of an erratic, but appealing drifter who comes into her life and enables her to shake off decades of claustrophobic expectations.   Barber draws his four characters with great insight and empathy, and though the ending may be fated from the start, keeps the audience guessing as to the directions the principal pair will choose.  His dialogue is wry, laced with a warm wit and tender pathos, and he manages to infuse every moment of the week-long action with palpable emotion.

Good Theater has announced FIREFLIES by Matthew Barber as the opener of the company's 21st season. Learn more about the show and find out how to get tickets here!

Following a successful 20th anniversary season in 2022 and early 2023, Good Theater has announced the schedule for the 2023/2024 season, as well as an updated rush ticket policy to help make live theater more accessible for all. 

Moss Hart and George S. Kaufman’s classic, YOU CAN’T TAKE IT WITH YOU, is eighty-six years young, and the latest revival at Portland’s Good Theater makes a strong case for the work’s perennial appeal. Directed by Brian P. Allen and featuring a cast of eighteen, most Good Theater veterans, this delightfully zany script, filled with wacky but loveable characters, delivers a timeless message about family and the secrets to true happiness.

Good Theater will present the Pulitzer Prize-winning comedy YOU CAN’T TAKE IT WITH YOU as the finale of its 20th anniversary season, running March 29th through April 23rd. See photos from the production!

Good Theater will present the Pulitzer Prize-winning comedy YOU CAN’T TAKE IT WITH YOU as the finale of its 20th anniversary season, running March 29th through April 23rd.

Directed by James Noel Hoban, the production will star Joseph Bearor as Jamie Wyeth and Michael Grew as Rudolf Nureyev, and feature a set by James Noel Hoban and Craig Robinson, props by Annon Bill, costume design by Michelle Handley, lighting design by Iain Odlin, and stage management by Michael Lynch. Check out a first look in the photos here!

Good Theater continues its 20th anniversary season with THE HIGH ROAD, running February 1st through the 19th. THE HIGH ROAD stars Steve Underwood, who also wrote the play. See photos from the show!

Good Theater continues its 20th anniversary season with THE HIGH ROAD, running February 1st through the 19th. THE HIGH ROAD stars Steve Underwood, who also wrote the play.

CRIMES OF THE HEART, Beth Henley’s Pulitzer-Prize winning 1981 dark comedy about three sisters and their shared secrets, receives a compelling production, directed by Brian P. Allen, at Portland’s Good Theater. Set in the Mississippi in the mid-twentieth century, Henley’s character-driven play has Chekovian overtones, as the relatively plotless piece relies on a series of revelations about the past to shape the mordent tragi-comedy.

Good Theater welcomes the new year and continues its 20th anniversary season with Crimes of the Heart, running January 11th through January 29th.

The current production of Rodgers & Hammerstein’s CAROUSEL at the Good Theater represents the realization of a lifelong dream for Executive/Artistic Director Brian P. Allen, and the show that he has conceived and directed is both ambitious and genuinely affecting. Marshalling all the resources that this small company can command, Allen has created a chamber version of this 1945 masterpiece that preserves the heart of the tale and pays homage to what is arguably Rodgers & Hammerstein finest score.

Following a successful return to live theater in 2021 after the COVID-19 crisis darkened stages around the world, Good Theater has announced the schedule for the 2022/2023 season. This season marks Good Theater’s 20th anniversary, and promises to be a yearlong celebration with plenty of laughter, music, and, of course, good theater.

Portland’s Good Theater’s final offering of its nineteenth season is a deliciously zany and stylish production of Peter Kellogg and David Friedman’s 2017 musical comedy, DESPERATE MEASURES, a witty, saucy sendup of Shakespeare’s MEASURE FOR MEASURE set in the Wild West. Directed by Brian P. Allen and Cary Libkin with musical staging by Raymond Marc Dumont, the comedy written in rhyming verse is a rollicking, madcap adventure from start to finish.

The Good Theater’s latest offering, SIGNIFICANT OTHER, is an edgy, quirky, bittersweet look at the complexities and pitfalls of modern love and friendship, seen from the perspective of a quartet of marriage-age friends, who try to navigate this rocky road as best they can. Told with humor and compassion, Harmon’s play, examines the yearnings, strivings, and conflicts that befall the heart.

The Maine premiere of George Eastman’s HARRY TOWNSEND’s LAST STAND is a sad, sweet, sassy rumination on aging and the fragile communications between father and son as they navigate this daunting process. Despite its poignant and serious underpinnings, Eastman’s play succeeds because of its unsparing humor, uncanny ear for authentic dialogue, the trim direction of Brian P. Allen, and the strong performances of the Good Theater’s stars, Will Rhys and James Noel Hoban.

Good Theater is presenting the world premiere of the acclaimed adaptation of the Jane Austen short novel LADY SUSAN. Directed by Brian Allen and James Noel Hoban, the show stars Brynn Lewallen, Joseph Bearor, Hannah Daly, Jay Mack, Halsey Redman, Amy Roche, and Nathan Gregory. October 20 - November 14.

The Good Theater reopened its doors last night with a breathtakingly stunning world premiere of Rob Urbinati’s new play LADY SUSAN, directed by Brian P. Allen and James Noel Hoban. Taking its inspiration from Jane Austen, this 21st century work has all the eloquence of an early 19th century classic, as it explores the intricate, timeless mating games that seem as relevant today as they did more than two hundred years ago.

Each Christmas the Good Theater presents BROADWAY AT THE GOOD, a musical concert benefit recreating songs from a particular decade. Due to the pandemic, the 2020 concert did not take place, so this belated virtual songfest, featuring highlights of the 1990s is especially welcome to fans of this company. The well-crafted revue, conceived and directed by Brian Allen with skillful music direction by Victoria Stubbs and video production by Steve Underwood, (Dave Grant, Lead Editor) nimbly handles all the curve balls the pandemic protocols require as it reunites most of the Good Theater regulars, together with special guest stars Valerie Peri and Roosevelt Baker.