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On October 3rd, Baayork Lee’s National Asian Artists Project (NAAP) reunited with their first live audience since the pandemic began. Check out photos from inside this special event.
Go inside Transport Group's all-star concert Rodgers & Hammerstein: A Broadway Celebration, presented as part of the Anne L. Bernstein Concert Series in Merkin Hall at Kaufman Music Center.
The Spring Lake Theatre is opening the 2022-2023 season with one of the most beloved stories of all time: Beauty and the Beast.
Transport Group has announced that Rodgers & Hammerstein: A Broadway Celebration will be the next installment in its Anne L. Bernstein Concert Series on Monday, June 27, 2022, at 8pm in Merkin Hall at Kaufman Music Center, 129 West 67 Street.
Algonquin Arts Theatre has announced the cast and creative team for its spring production of Into the Woods.
Tonight at 8pm, Broadway for Biden will present In Our America: A Concert for the Soul of the Nation. The virtual event will bring Broadway together to celebrate hope and benefit the Biden Victory Fund.
Broadway for Biden has announced updates for upcoming fundraiser In Our America: A Concert for the Soul of the Nation. The one-night only virtual event will bring Broadway together to celebrate hope and benefit the Biden Victory Fund.
Broadway for Biden has just announced an all-star team for upcoming fundraiser In Our America: A Concert for the Soul of the Nation. The one-night only virtual event will bring Broadway together to celebrate hope and benefit the Biden Victory Fund.
If Dinosaur Jr. wrote an album with Wilco, you'd get the alt-rock, americana, shoegaze cocktail that is Boston's own, The Big Lonesome. The Gosselin brothers, Chad (guitar/vocals) and Luke (guitar/lap steel/vocals) along with bassist Seth Kellogg, and drummer Linecker Da Silva team up again with New England Music Award Producer of the year, Sean McLaughlin, (Rush, Elliott Smith, Death Row Records) to release their third album - Payphones and Ashtrays.
Transport Group just presented its annual A Toast to the Artist gala, honoring Tony Award-winning orchestrator Michael Starboin and composer Carmel Dean with the Transporting American Theatre Award.
Earlier this week, Transport Group presented Promises, Promises- its second musical in this season's Anne L. Bernstein Concert Series- featuring John Cariani (The Band's Visit; Tony nominee Fiddler on the Roof), Donna Lynne Champlin (Crazy Ex-Girlfriend; Sweeney Todd; Obie Award for TG's The Dark at the Top of the Stairs), Jessica Fontanta (Cinderella; TG's Once Upon a Mattress), Santino Fontana (Crazy Ex-Girlfriend; Tootsie ; Tony nominee Cinderella), Stanley Bahorek (Amazing Grace, Queen of the Mist), Lauren Blackman (Anastasia), Hannah Corneau (Hedwig and the Angry Inch), Marc Kudisch(Finding Neverland, Hand to God), Sean McLaughlin (Hello Dolly), Bruce Sabath(Cagney), Tally Sessions (War Paint), and Ali Stroker (Spring Awakening).
Just last night, Transport Group presented Promises, Promises- its second musical in this season's Anne L. Bernstein Concert Series- featuring John Cariani (The Band's Visit; Tony nominee Fiddler on the Roof), Donna Lynne Champlin (Crazy Ex-Girlfriend; Sweeney Todd; Obie Award for TG's The Dark at the Top of the Stairs), Jessica Fontanta (Cinderella; TG's Once Upon a Mattress), Santino Fontana (Crazy Ex-Girlfriend; Tootsie ; Tony nominee Cinderella), Stanley Bahorek (Amazing Grace, Queen of the Mist), Lauren Blackman (Anastasia), Hannah Corneau (Hedwig and the Angry Inch), Marc Kudisch (Finding Neverland, Hand to God), Sean McLaughlin (Hello Dolly), Bruce Sabath(Cagney), Tally Sessions (War Paint), and Ali Stroker (Spring Awakening).
Transport Group has announced that additional casting for Promises, Promises-its second musical in this season's Anne L. Bernstein Concert Series-will include Stanley Bahorek (Amazing Grace, Queen of the Mist), Lauren Blackman (Anastasia), Hannah Corneau (Hedwig and the Angry Inch), Marc Kudisch (Finding Neverland, Hand to God), Sean Mclaughlin (Hello Dolly), Bruce Sabath (Cagney), Tally Sessions (War Paint), and Ali Stroker (Spring Awakening).
There are few shows I know every word to, and even fewer I've known for 30 years. When I was 10, I was in the chorus of a community theatre production of EVITA in Hingham, MA. I became obsessed. In 5th grade, we had to do a biographical report on anyone we chose. All the other boys chose Babe Ruth, Abraham Lincoln, Ted Williams...I threw up my hand and shouted 'Eva Peron!' The black and white covered vinyl double album became my own personal soundtrack. And I was somehow surprised that people knew I was gay.
It was like a scene from Neil Simon's "The Sunshine Boys." `I came from the people; they need to adore me /So Christian Dior me from my head to my toes.' What kind of a lyric is that?" kvetched lyricist Fred Ebb as he got into the taxi. "You remembered it," quipped his songwriting partner, composer John Kander, with a shrug. The song? "Rainbow High." The show? "Evita."
It was like a scene from Neil Simon's “The Sunshine Boys.” `I came from the people; they need to adore me /So Christian Dior me from my head to my toes.' What kind of a lyric is that?” kvetched lyricist Fred Ebb as he got into the taxi. “You remembered it,” quipped his songwriting partner, composer John Kander, with a shrug. The song? “Rainbow High.” The show? “Evita.”
The musical, which originally opened on Broadway in 1979 and has been revived several times - including an amazing (in my opinion) film adaptation starring Madonna - is currently touring the US and has made a stop in San Antonio.
Theatre Under The Stars (TUTS) invites Houstonians to experience the passion and seduction of the Tony Award-winning elegant masterpiece EVITA, running May 6 - 18 at Hobby Center's Sarofim Hall.
I am not sure which leg of the national tour that Denver is positioned, but the show just felt tired and devoid of the fiery passion that is the Argentinian spirit.
There's no mincing words here. If you've never seen LEGALLY BLONDE THE MUSICAL, you owe it to yourself to get to Midvale Main Street Theatre this week before its production of the show closes. It is the first, and at this point the only planned, non-student presentation of the musical in Utah, and there is little reason to believe there will be other opportunities to see it in the future. Thankfully, this production is more than worth the ticket price.
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