Review: DESIGN FOR LIVING at Odyssey Theatre
A glamorous, pansexual, queer 1930s romp through the world of artists, playwrights, interior decorators, and their lovers, Design for Living was an instant hit with the sold-out audience on the afternoon I attended, who loved every minute of it.
Review: DORIAN: THE MUSICAL, Southwark Playhouse
However, penned by Joe Evans (score and lyrics) and Linnie Reedman (book and direction), Dorian is an awkward production that’s supposedly adapting the mores and morals of the time for a social media-obsessed audience. They reimagine the protagonist as a lonely rocker who gains overnight popularity after producer Harry Wotton takes him under his wing. Basil Hallward becomes Baz, a celebrity photographer charmed by the young star, while Sibyl Vane is a besotted opera singer. We wish we could say it works, but the team desecrates the original material - and not in a good way. Sex, drugs, and rock’n’roll have never looked so dull and unappealing.
Review: Trauma in Two Nights, as SALOME follows TURANDOT to the Analyst's Couch in Vienna
I couldn’t help but wondering whether the scheduling last week of two recent productions at the Vienna State Opera, Claus Guth’s TURANDOT and Cyril Teste’s SALOME, on subsequent nights had anything more than the availability of the stars behind it. After all, both portrayed the title characters as abused women scarred by powerful men—not exactly the business-as-usual for these works by Puccini and Strauss, respectively—in pared-down productions that hearkened to the father of psychoanalysis, Sigmund Freud, as well as to #MeToo.
Review: PRIVATE LIVES at Irish Classical Theatre
Noel Coward may well have been the arbiter of all things regarding propriety , social class, and manners. So it may have come as a shock to some that his witty play PRIVATE LIVES, now playing at Irish Classical Theatre, makes it clear that his upper crust characters certainly do NOT always behave with the best possible manners. Therein lies the crux of the comedy that audiences love, in part, thanks to the bad behavior of his cast