Review: Inside GOV BALL DAY Two at Flushing Meadows Corona Park
by Alex Del Cueto - Jun 11, 2026
A weather-cut day still delivers high energy and standout performances at day two of the annual Governor's Ball festival in Queens. The stacked lineup featured a wide range of artists and headlined by K-pop group Stray Kids.
MARTIN GUERRE and HOW THE OTHER HALF LOVES Will Come to The Old Vic
by Stephi Wild - Jun 11, 2026
The Old Vic announced the final two shows in Artistic Director Matthew Warchus' farewell season: Alan Ayckbourn's HOW THE OTHER HALF LOVES, starring Roger Allam and Dorothy Atkinson, and an all-new version of the Olivier Award-winning musical MARTIN GUERRE, directed by Warchus himself.
BLUEY'S BIG PLAY to Come to State Theatre New Jersey
by A.A. Cristi - Jun 11, 2026
State Theatre New Jersey will present BLUEY'S BIG PLAY, the stage adaptation of the Emmy Award-winning children's series, featuring original cast voices, puppets, and an original story by creator Joe Brumm.
THE WOODCUTTER to Play Edinburgh Fringe
by Stephi Wild - Jun 8, 2026
Actor John Anthony Gorman brings THE WOODCUTTER to Edinburgh Fringe, a one-man show drawn from his real life, recounting memories of his parents and their Glasgow pub, The Woodcutter, which they ran for half a century.
DESPERATE SCOUSEWIVES UK Tour to Hit Four Merseyside Venues
by Stephi Wild - Jun 2, 2026
The first UK tour of Desperate Scousewives: Lily's Story, led by Benidorm star Crissy Rock, is set to play four Merseyside venues, including the Epstein Theatre in Liverpool, with some performances already sold out.
Interview: 'It's Utterly Thrilling': Jo Parsons On Creating and Directing Edinburgh Fringe Hit, SHANTIFY, In The West End
by Kat Mokrynski - Jun 1, 2026
After two successful sailings of the sea of the Edinburgh Festival Fringe, Shantify is docking in London for a run at Underbelly Boulevard Soho. The show, a “nautical musical adventure,” stars a crew of West End performers who take a range of songs and transform them into sea shanties with harmonies that will shiver your timbers. Recently, we had the chance to speak with Jo Parsons, the creator and director of Shantify. We discussed the evolution of the show over the past few years, how songs get turned into sea shanties and what it is like to direct something like Shantify versus Les Misérables!
Review: BEETLEJUICE: THE MUSICAL, Prince Edward Theatre
by Aliya Al-Hassan - May 29, 2026
For musical fans, it's been a long time coming, but the wait is finally over. Beetlejuice: The Musical has crossed the pond and landed in London. It's loud, brash, and certainly won't please Tim Burton purists.
Certain Blacks Ensemble Festival Will Return in July
by Stephi Wild - May 28, 2026
Certain Blacks will present Ensemble Festival 2026 at London's Royal Victoria Docks, a free two-day outdoor event featuring circus, dance, and theatre from UK and Catalan artists exploring identity, ecology, and collective experience.
Review: OUR MOTHER'S DAUGHTERS, The Hen & Chickens Theatre
by Amber-Rae Stobbs - May 27, 2026
At the heart of every female friendship group, no matter the age group, is love and a joint effort to make sure you’re in each other's lives until you’re old and grey. Our Mother’s Daughters looks at the question of ‘is loving someone enough to look past their political views and belief systems?’, and wonders how complex being alive actually is.
Review: THE LAST MAN, Southwark Playhouse Elephant
by Cindy Marcolina - May 14, 2026
A virus has decimated the entire population, turning them into zombies. Or has it? Whilst all hell breaks loose, a man is isolating in a bunker alone. Deep underground, his thoughts are his only company and entertainment. His reality slowly alters. Why do we keep going in the face of hardship? Is the fight for survival enough to define a life? Jishik Kim and Seungyeon Kwon’s hit musical hails straight from South Korea in a re-imagined version with Jethro Compton at the dramaturgy and Daljung Kim at the direction. Led by Lex Lee (who shared the role with Nabi Brown through the run), it’s a spunky, bleak, compassionate, riveting piece of solo theatre.