Megan Lang

WP Theater has revealed the full casts and teams for the fifth biennial Pipeline Festival. See full programming and learn how to purchase tickets.

Experience the kickoff of the 2024 WP Pipeline Festival with MALICIOUS COMPLIANCE, a unique blend of Waiting for Godot and Fairview. Learn how to purchase tickets.

Co-creators Ellpetha Tsivicos and Camilo Quiroz-Vazquez have announced that the world premiere of Persou, an experiential festival celebrating Spring, will be extended one week to June 12, 2021. Persou plays Wednesdays through Saturdays at 8:00 p.m. EDT at Nancy Manocherian’s the cell Theatre in Manhattan.

Following a return to in-person events in October 2020, the Obie Award-winning Target Margin Theater has announced details for a series of artist residencies with showings as part of a new edition of Magic in Plain Sight.

Co-creators Ellpetha Tsivicos and Camilo Quiroz-Vazquez will present the world premiere of Persou, an experiential festival celebrating Spring. Performances will be held at Nancy Manocherian’s the cell Theatre in Manhattan Wednesdays through Saturdays from May 19 to June 5, 2021. 

Following a return to in-person events in October 2020, Target Margin Theater has announced a new edition of Magic in Plain Sight that will take place from May 8–June 19. Magic in Plain Sight is comprised of Now Go and Act Accordingly, and a series of one-week artist residencies with showings at their conclusion.

Due to popular demand and critical acclaim, Fake Friends, a theater and media collective led by Michael Breslin and Patrick Foley, is thrilled to announce a rebroadcast of Circle Jerk, a “Best of 2020” queer comedy about white gay supremacy.

Fake Friends has announced that Circle Jerk, a queer comedy about white gay supremacy, has added two live performances on October 24 and 25 at 7:30pm, followed by on-demand rebroadcasts at circlejerk.live through November 7.

Fake Friends, a new theater and media collective led by Michael Breslin and Patrick Foley, has announced that Circle Jerk, a queer comedy about white gay supremacy, will have an extended run at circlejerk.live from October 18–November 7, 2020.

Fake Friends, a new theater and media collective led by Michael Breslin and Patrick Foley, is set to premiere Circle Jerk, a queer comedy about white gay supremacy, at circlejerk.live.

At a Virginia university established by a founding father, TJ is a university dean and Sally his work-study student. But TJ's power has limits and Sally knows it. In TJ Loves Sally 4 Ever, playwright James Ijames hotwires a ride that leaves history's burdens in the dust and off-roads a trail for the future.

Notch Theatre Company presents the World Premiere Production of Anna Karenina: a riff by Gwen Kingston, opening November 21st at The Flea Theater in New York City. Based on the novel by Leo Tolstoy, Kingston's fresh take on Anna Karenina will be directed by Ashley Teague, Artistic Director of Notch Theatre Company.

Waterwell is proud to announce the 2019 New Works Lab World Premiere of June July August by Sinead Daly, directed by Heather Lanza.

The duo of playwright/director William Burke and composer Catherine Brookman return to JACK with a 'theatrical seance for listening,' co-directed by Burke and Bryn Herdrich. As the final show at JACK's current location, the audience and performer will collectively strip the space of its contents over the course of the three-week run, leaving it empty by the final performance. Through this process of emptying, the team will strive to clear the air of distractions and ask us to help each other and take care of our brains in the most theatrical of ways.

The Habitat and Bentertainment, in association with Ryan Gedrich, present the world premiere of Bonnie's Last Flight by Eliza Bent.

Prelude to the Apocalypse (For What It's Worth) engages with the climate crises in a number of unexpected ways: through the lens of evolutionary time, the biblical apocalypse, and the process of growing up as a person and a society. The play also examines the human tendency to make wishes, especially in moments when we feel powerless. It all takes place in the shadow of a giant hourglass. Nevertheless, the universe breathes on.

The Bushwick Starr presnts the world premiere of Cute Activist, a new play by Milo Cramer, directed by Morgan Green, and produced in collaboration with their exciting young company, New Saloon (Minor Character), in association with Clubbed Thumb. Highly anticipated after New Saloon's popular production of Minor Character, Cute Activist is a playfully fabulist, wildly satirical, anti-romantic comedy, that asks questions about the way activism fits - or doesn't fit - into our daily lives. In a spoOoOoky town in mythical Connecticut where inequality reigns, a shadowy ring of part-time activists battle a baroque, tyrannical Landlorde. Only True Love's Kiss can save the local economy. Cute Activist is a pastel fable full of earnest questions about how to engage politically, at an everyday level, as a normal-feeling civilian.

Following the opening of the Company's first permanent home, Target Margin Theater has announced that 13 diverse artists, via three distinct programs, will be supported in 2018. The Company's new home, located in the Sunset Park section of Brooklyn, enables Target Margin Theater to deepen their support of the next generation of theater makers through its annual incubator LAB festival, it's five-year-old fellowship program, and its new artist-in-residency program.

The Bushwick Starr is thrilled to present the world premiere of Cute Activist, a new play by Milo Cramer, directed by Morgan Green, and produced in collaboration with their exciting young company, New Saloon (Minor Character), in association with Clubbed Thumb.

Enter Claire's brain. A psychic parasite lives there: a hungry ghost, her mother. In order to exorcise this haunt from her brain, femme pathos breaks open on the Brocken at Walpurgis Night: a gay bacchanal where the doctor and Three Lords will surgically remove the pathogen of misplaced femininity - or was it homosexuality - or some other trauma lodged in the depressed body? Claire and her mother un/become each other in the limbo of a dance-theater spectacle attempting to answer the queer eng nue's burning question: 'What is insanity without the patriarchal landscape?'