The Brick will present A(U)NTS! by writer and performer Zoë Geltman, directed by Julia Sirna-Frest. Performances take place May 8–25, at The Brick (579 Metropolitan Ave, Brooklyn).
The Brick will present A(U)NTS! by writer and performer Zoë Geltman, directed by Julia Sirna-Frest. A play that imagines a new reality of female autonomy, love, self-reliance & sticky glamor.
Guggenheim fellow Modesto 'Flako' Jimenez will return to JACK with a workshop production of ¡Harken!, February 6 - February 8, 2025. Co-created by Modesto 'Flako' Jimenez & Victor Morales.
BroadwayWorld has received an exclusive first look inside rehearsals for Notch Theatre Company's upcoming World Premiere of Café Utopia by Gwen Kingston.
Notch Theatre Company will present the World Premiere of Café Utopia by Gwen Kingston (New York Times Book Review Editors' Choice and Oprah Daily’s 'Most Anticipated Books of 2024' for Did I Ever Tell You?: A Memoir), directed by Ashley Olive Teague.
Experience the kickoff of the 2024 WP Pipeline Festival with MALICIOUS COMPLIANCE, a unique blend of Waiting for Godot and Fairview. Learn how to purchase tickets.
Co-creators Ellpetha Tsivicos and Camilo Quiroz-Vazquez have announced that the world premiere of Persou, an experiential festival celebrating Spring, will be extended one week to June 12, 2021. Persou plays Wednesdays through Saturdays at 8:00 p.m. EDT at Nancy Manocherian’s the cell Theatre in Manhattan.
Following a return to in-person events in October 2020, the Obie Award-winning Target Margin Theater has announced details for a series of artist residencies with showings as part of a new edition of Magic in Plain Sight.
Co-creators Ellpetha Tsivicos and Camilo Quiroz-Vazquez will present the world premiere of Persou, an experiential festival celebrating Spring. Performances will be held at Nancy Manocherian’s the cell Theatre in Manhattan Wednesdays through Saturdays from May 19 to June 5, 2021.
Following a return to in-person events in October 2020, Target Margin Theater has announced a new edition of Magic in Plain Sight that will take place from May 8–June 19. Magic in Plain Sight is comprised of Now Go and Act Accordingly, and a series of one-week artist residencies with showings at their conclusion.
Due to popular demand and critical acclaim, Fake Friends, a theater and media collective led by Michael Breslin and Patrick Foley, is thrilled to announce a rebroadcast of Circle Jerk, a “Best of 2020” queer comedy about white gay supremacy.
Fake Friends has announced that Circle Jerk, a queer comedy about white gay supremacy, has added two live performances on October 24 and 25 at 7:30pm, followed by on-demand rebroadcasts at circlejerk.live through November 7.
Fake Friends, a new theater and media collective led by Michael Breslin and Patrick Foley, has announced that Circle Jerk, a queer comedy about white gay supremacy, will have an extended run at circlejerk.live from October 18–November 7, 2020.
Fake Friends, a new theater and media collective led by Michael Breslin and Patrick Foley, is set to premiere Circle Jerk, a queer comedy about white gay supremacy, at circlejerk.live.
At a Virginia university established by a founding father, TJ is a university dean and Sally his work-study student. But TJ's power has limits and Sally knows it. In TJ Loves Sally 4 Ever, playwright James Ijames hotwires a ride that leaves history's burdens in the dust and off-roads a trail for the future.
Notch Theatre Company presents the World Premiere Production of Anna Karenina: a riff by Gwen Kingston, opening November 21st at The Flea Theater in New York City. Based on the novel by Leo Tolstoy, Kingston's fresh take on Anna Karenina will be directed by Ashley Teague, Artistic Director of Notch Theatre Company.
The duo of playwright/director William Burke and composer Catherine Brookman return to JACK with a 'theatrical seance for listening,' co-directed by Burke and Bryn Herdrich. As the final show at JACK's current location, the audience and performer will collectively strip the space of its contents over the course of the three-week run, leaving it empty by the final performance. Through this process of emptying, the team will strive to clear the air of distractions and ask us to help each other and take care of our brains in the most theatrical of ways.