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STAGE CREDITS

[Off-Broadway]
Company XIV Off-Broadway Production, 2024
Ensemble ()

News


Photos: Luann de Lesseps Visits COMPANY XIV's QUEEN OF HEARTS
by Stephi Wild - Jun 27, 2024

Former Real Housewife and now cabaret star Luann de Lesseps made the scene in Bushwick to catch COMPANY XIV’S hit burlesque show QUEEN OF HEARTS.  After the show, she congratulated the cast members. Check out the photos here!
FLOATFEST Virtual Music Festival On Saturday, 2.27
by A.A. Cristi - Feb 19, 2021

25 DJs representing Float communities across the country will spin live on 4 concurrent stages, while standout performers from the Float family perform live on the mainstage. Add in some curated lounges for a virtual kickback and you've got an opportunity to dance and connect in the digital space like nothing experienced before.
Peter Dunn Presents An End Of Year Virtual Artist Festival
by Stephi Wild - Dec 23, 2020

After a tumultuous year for everyone, in which the entertainment industry was almost completely shuttered for all of 2020, New York City based producer, Peter Dunn is offering audiences around the world an end of year virtual artist festival, that will span 4 ensemble shows over the course of 10 nights.
Smallest One Productions Presents RAISE THE VOLUME: A Concert Benefiting Everytown For Gun Safety
by A.A. Cristi - Jan 21, 2020

Smallest One Productions will present a one night only benefit concert at The West End Lounge on Monday, January 27th at 7 pm. Featuring a line up of alumni from their cabaret series, Campy Cabaret, the night will be raising money for the fight for gun control.
Hilarious Drunken Mock Audition Takes Place At The West End This Saturday Night
by Stephi Wild - Feb 20, 2018

A Chorus Line meets tequila, 18 singing actors will drunkenly perform 32,16,8, maybe event 2 bar cuts from their audition book in front of live audience and industry guests. Alison Franck (Franck Casting), Chaz Wolcott (Newsies/So You Think You Can Dance), and Cory Wade (Multimedia Recording Artist and 2nd runner up of America's Next Top Model) will be playing the roles of 'casting director.' Hosted by the hilarious Jacob McKenna. Half Messy Bar Show/Half Masterclass, DRUNK AUDITIONS gives you a front row seat at the other side of the table. If you're looking for a night of theatre shenanigans, industry networking, and comedic banter, the show's creator - producing casting director, Ian Connor offers you a [not so] private appointment for this Saturday, February 24th. 6:30pm at The West End Lounge. Tickets only $10 online and can be reserved here: https://ianconnorpresents.ticketspice.com/drunk-auditions *Venue requires two drink minimum/cash only!
HOLLA DAYZ CABARET Will Feature Songs By Michael Mott, Carner And Gregor, Selda And Derek, And More
by Stephi Wild - Dec 13, 2017

HOLLA DAYZ: All I want for Christmas is Booze will be presented for one-performance-only on December 19th, 2017 at The West End Lounge in NYC. Featuring 20 singers, pop star renditions of favorite Holiday Hits, original christmas music by Michael Mott (Where The Sky Ends, Abandoned Heart), Carner and Gregor (Island Song), Selda and Derek (Grind), with special performances by host, Carmen Sidemi.
Happy Hour Improv Set for Broadway Comedy Club Every Friday
by Tyler Peterson - May 1, 2015

The Broadway Comedy Club and SGF Productions have come together to create THE NEW YORK IMPROV THEATER. Formerly THE RED ROOM, this 70-seat theater is still home to great shows such as LMAO Off-Broadway and Improv 4 Kids. And now they are home to numerous New York City based Improv Teams.  Starting May, the room features 3-4 sketch and Improv troupes for a HAPPY HOUR showcase every Friday at 6:30pm. The club has waived all drink minimums for this series (Seriously a REAL Comedy Club in NYC foregoing its TWO drink minimum). In fact the $10 cover includes your first beer, wine or soda from the bar and the Broadway will be offering a number of happy hour drink specials 6-8pm.
Chicago Playworks for Families and Young Audiences Presents NUMBER THE STARS Based on Lois Lowry's Newbery Award-winning Novel January 18 - February 22, 2014
by Robert Diamond - Dec 13, 2013

The Theatre School at DePaul University proudly presents NUMBER THE STARS, by Dr. Douglas W. Larche with Susan Elliott Larche, based on the novel by Lois Lowry, and directed by Ernie Nolan, as the second production of the 2013-2014 Chicago Playworks for Families and Young Audiences season. This production opens Saturday, January 18, and runs through Saturday, February 22, 2014, at DePaul's historic Merle Reskin Theatre. Performances are Tuesdays, Thursdays, and Fridays at 10 AM, and Saturdays at 2 PM. A special Sunday performance (2 PM) will be held on February 16. There will be no Saturday performance on February 15. Friday performances are on February 14 and 21 (10 AM).
The Trap Door Theatre Presents 'The Unconquered!'
by Chicago News Desk - Oct 31, 2008

Torben Betts' The Unconquered is a fast-moving satirical portrait of patriarchy, political indolence and over-reaction. The laughs begin when the 're-liberation' knocks on the door of your average upper-middle class family after aggressive revolutionaries have overthrown the government. Strange and unsettling, their new found freedom provokes the parents to reminisce about the comfort of life under the previous aristocracy while their spirited daughter criticizes her parent's banal and conforming attitudes with great, yet impotent, ferocity. The piece is a reflection of war's long-reaching effects on the domestic front, demonstrating the encompassing ambiguity of a public out of touch with reality. With great wit, poetics and charm, Betts sketches the self-hypocrisy that materializes during times of opaque identity and societal partition.
The Trap Door Theatre Presents 'The Unconquered!'
by Steve Leary - Oct 23, 2008

Torben Betts' The Unconquered is a fast-moving satirical portrait of patriarchy, political indolence and over-reaction. The laughs begin when the 're-liberation' knocks on the door of your average upper-middle class family after aggressive revolutionaries have overthrown the government. Strange and unsettling, their new found freedom provokes the parents to reminisce about the comfort of life under the previous aristocracy while their spirited daughter criticizes her parent's banal and conforming attitudes with great, yet impotent, ferocity. The piece is a reflection of war's long-reaching effects on the domestic front, demonstrating the encompassing ambiguity of a public out of touch with reality. With great wit, poetics and charm, Betts sketches the self-hypocrisy that materializes during times of opaque identity and societal partition.

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