Joel Diggs

The result is Outside of Here – a work that has evolved from conversations among Lee, Sternberg, Melinda Sewak and Claudia Barnett – which will premiere this Saturday, October 2, on NECAT, Nashville’s Education, Community and Arts Television Network. For 12 hours, one performer (Sternberg plays “Her”) will experience one story dozens of times with more than 30 different actors, who comprise a veritable who’s who of Nashville’s theater community.

Dominique Morisseau's Pipeline, which continues Nashville Repertory Theatre's 35th season, is an emotionally driven work of contemporary eloquence and power, a play which audiences should experience in hopes of opening their eyes to the institutional prejudice and bias that exists in this country a?" whether we care to admit it or not. At least, that's the initial takeaway for theater-goers who are giving a cursory review of what they've just seen onstage at Tennessee Performing Arts Center's Andrew Johnson Theatre.

Oh, those wacky Brits: They love their comedy dry, broad and often rather lowbrow, they adore mistaken identities, hijinks in the bedchamber and a bit with a dog. And that, gentle readers, is exactly what is delivered in the deliciously irreverent, surprisingly heartfelt Shakespeare in Love - Lee Hall's stage adaptation of the 1999 Oscar-winning best film of the same name - now onstage at Tennessee Performing Arts Center's Andrew Johnson Theatre in a sparkling new production from Nashville Repertory Theatre.

Today, in anticipation of their opening weekend, three members of Copeland's cast - Cailen Fu, Joseph Leitess and Jennifer Whitcomb-Oliva - offer some background information on what shapes them as actors (including their most memorable "the show must go on" moments) and offer suggestions for why you shouldn't miss Shakespeare in Love in our latest Friday 5 (+1):

Shakespeare in Love - the final show of Nashville Repertory Theatre's 2018-19 season - opens Saturday night, March 23, at the Andrew Johnson Theatre at the Tennessee Performing Arts Center, running through April 13. Replete with comedy, a secret romance, live music, a play-within-a-play, stunning costumes, swordfights, a hefty wager and Queen Elizabeth I herself, there's also the promise of a very cute dog to entice audiences to the theatre.

During the very first scenes of Ghost - the world premiere of the play by Idris Goodwin, based upon the 2016 book of the same name by Jason Reynolds, now onstage at Nashville Children's Theatre through February 3 - the audience becomes caught up in the emotional turmoil experienced by young Castle Cranshaw and his mom, Terri. As their world is upended by events taking place onstage, the story of Ghost is set in motion, hurtling toward a moment in which lives are changed and the future opens up in ways both unexpected and completely authentic.

GOOD MORNING, THEATERATI! And a gracious good morning to Kate Adams Kramer, our very first Theaterati cover girl! Today we are pondering the theatrical question of 'Kevin Spacey...Tony Awards host...what the hell?' Perhaps you might opine about that bit of news and share your impressions with us: we promise not to tell a soul!

Spring is here! Why doesn't my heart go dancing? Well, Mr. Lorenz Hart, personally, we are too damn busy with creating the magic of live theater: We're directing a show (Daddy's Dyin'…Who's Got the Will? opens next week - April 20 - at The Larry Keeton Theatre in Donelson, thank you very much) and trying to make it out to see as much theater in Nashville as possible before old age takes its toll - it's tough out there for a theater critic!

Larry Shue's The Nerd brings with it a fairly healthy and reasonably impressive theater pedigree: more than 400 performances on Broadway, critical acclaim and audience adulation for its West End run (in fact, it was the most successful American play running there in 1986), scores of regional and community theater productions and it was the follow-up to his wonderfully funny and politically prescient The Foreigner. But like so many things that were popular during the 1980s - the "abdominizer," Cabbage Patch kids and friendship bracelets, Jelly shoes and Jordache jeans - time hasn't been so great to The Nerd and we're left wondering, incredulously and imploringly, "What the hell?"

Nashville actor and NFL Hall of Famer Eddie George, who makes his Broadway debut Tuesday night in the iconic musical Chicago, was named First Night's Outstanding Leading Actor in a Play for his searing portrayal of a former slave haunted by the spectre of abuse in Nashville Repertory Theatre's The Whipping Man. Rene Dunshee Copeland, producing artistic director of Nashville Rep, was named Outstanding Director of a Play, while her three-actor ensemble (which included James Rudolph and Matthew Rosenbaum) were awarded as First Night's Outstanding Performance by an Ensemble in a Play for their rendition of the Matthew Lopez play.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Turkeys are on-sale at your local supermarket, so there's no better way to know Thanksgiving is just around the corner - yep, less than two weeks away! - which means that local theater companies will be unleashing their holiday season productions with enough productions of A Christmas Story (both the musical and the play), It's A Wonderful Life and Ebenezer Scrooge-led shows that you could shake a stick at!

Thus, we are happy to present the return of one our most popular features: The Nashville Theater Calendar, a comprehensive - maybe even exhaustive (lord knows we're exhausted from putting it together, gathering all the info from all over the interwebs!) - listing of theatrical openings for the 2015/16 season. We'll update the calendar every Monday, clearing out the shows that have closed and adding additional information on the shows still to come. Something's missing? That's an easy fix: just send us a message here, on Facebook, or by email at jeffreyellis37215@att.com.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

We're back! After an extended absence due to The Last Five Years (we directed it to boffo notices from our critical colleagues), The 2015 First Night Honors (which played to SRO crowds at Chaffin's Barn in September) and a sense of overwhelming malaise and ennui (we are ever so dramatic at times), BWW Nashville's Critic's Choice is back on the interwebs, offering you our insights and advice on the shows that are coming up and what you should try to find time to see - or to avoid at all costs, depending on our perspective.

And that, gentle readers, is just the first problem with ACT 1's season-opening production of Ira Levin's Deathtrap, a sturdy, if perhaps shopworn, theatrical thriller now onstage through October 17 at Darkhorse Theater. Directed and produced by Susan Cole, Deathtrap features a notable cast of experienced local actors who seem to be trapped in a plodding, uninteresting production of a play that's well past its projected shelf life. There's a lack of polish (whether among the actors' performances or on the surface of set pieces) and a pervasive sense of not knowing the time, place and environs in which Deathtrap takes place that is disconcerting and off-putting.

Today, we focus our Friday Five spotlight on the intriguing Deathtrap trio of Christi Dortch, Dante Greco and Judy Jackson, as interesting a bunch of actors as you'll find in Nashville. Get to know them better, then book your seats to see Deathtrap…

2015 First Night Honoree Kaul Bluestone claimed her place in the First Night record books in the 20th Century: She was the 1996 Outstanding Leading Actress in a Play for her role in Circle Players' production of Dancing at Lughnasa...and she has starred in two critically acclaimed plays directed by First Night founder and executive producer Jeffrey Ellis in the 21st Century: The Last Night of Ballyhoo and Picnic, both for Circle Players.

2015 First Night Honoree Martha Wilkinson holds the record for the most First Night Awards with nine. A frequent performer on the First Night stage -- including particularly show-stopping numbers such as her rendition of 'You'll Never Walk Alone,' while clad in a white ballgown and backed up by a chorus of Nashville theater's leading men -- she's one of Tennessee's favorites for certain. She was first recognized by the First Night Awards in 1989, when she won the award for Outstanding Supporting Actress in a Musical for her role in Circle Players' production of Pippin.