Review: MSMT's WHITE CHRISTMAS Is Pure & Perfect Magic
The thermometer in Brunswick Maine reads 85°F, but as one approaches the Pickard Theater, a band plays Christmas music outside, and inside the lights are twinkling; the halls are decked with garlands and wreaths; there is literally a forest of elegantly decorated trees, and there is a promise of snow in the air. This is, indeed, a white Christmas like no other.
The brainchild of Artistic Director Curt Dale Clark, Maine Street Music Theatre has created “Christmas in July” with a spectacular production of Irving Berlin’s classic WHITE CHRISTMAS, directed and choreographed by Marc Robin as its centerpiece. This is a singular and sensational opportunity to experience a breathtaking Broadway musical in a beautiful fantasy setting.
BWW Q&A: Charis Leos on Irving Berlin's WHITE CHRISTMAS at Maine State Music Theatre
We spoke to Charis Leos about appearing in Irving Berlin's White Christmas at Maine State Music Theatre! Charis is a familiar face at MSMT, appearing in dozens of shows over the years, beginning with Nunsense in 1997. Some favorite MSMT roles include Roz (9 to 5), Rose (Gypsy), Louise (Always, Patsy Cline), Paulette (Legally Blonde), Maggie (42nd Street), Madame Thenardier (Les Miserables), Chaperone (Drowsy Chaperone) and Dolly (Hello, Dolly!).
Review: MSMT's FUNNY GIRL: Bold, Beautiful & Star-Studded
Maine State Music Theatre’s new production of FUNNY GIRL is a triumph for its star and a coup for the company. Obtaining the first rights to produce the show after the closing of the recent Broadway revival is an unprecedented accomplishment for the theatre’s Artistic Director, Curt Dale Clark. In addition, the production, itself, is arguably the first FUNNY GIRL anywhere to use the state-of-the art video technology, and perhaps the most thrilling feat of all: not only does the entire cast deliver stunning performances, but Jenna Lea Rosen, who makes her MSMT debut and role debut as Fanny Brice, is unquestionably a superstar. The result is an evening in the theatre that is as exhilarating and spellbinding as any you will see on any stage and an experience not to be missed!
Review: 9 TO 5 at Fulton Theatre
What did our critic think of 9 TO 5 at Fulton Theatre? The Fulton brings the musical version of the feminist farce, 9 to 5 to the mainstage. Based on the 1980 film of the same name, the plot follows three secretaries and their struggles and triumphs against their sexist, narcissist of a boss.
Review: MISERY at Fulton Theatre
Along with the moody lighting and the creepy, curtained bedroom set, the Fulton produced a version of Misery that is just as, if not more so, scarier than the movie. Stephen King would be proud.