Elizabeth Ashley and Penny Fuller Will Star In Reading Of WHARTON/WILLIAMS
By: Stephi Wild
Tony Award-winner Elizabeth Ashley and Tony Award-nominee Penny Fuller will star in a reading of Wharton/Williams, a work based on the short stories of novelist Edith Wharton and Pulitzer Prize-winning playwright Tennessee Williams. Adapted by award-winning playwright/librettist Charles Leipart, Wharton/Williams will be directed by Drama Desk and Outer Critics Circle Award-winner Michael Wilson.
Wharton/Williams is adapted from two memorable short stories, Roman Fever by Edith Wharton and Happy August the Tenth by Tennessee Williams. Each story offers a contrasting portrait of female friendship-the perils and the joys of a lifetime of familiarity. The reading will be presented on Thursday, December 5 at 3:00 PM at the Stavros Niarchos Foundation Studio at Playwrights Horizons (416 West 42nd Street, between Ninth and Tenth Avenues). Elizabeth Ashley is a Tony Award-winning and multi-nominated stage, film, and television actress. She currently co-stars with Natasha Lyonne in the Emmy Award-winning Netflix series, "Russian Doll." Considered one of the definitive interpreters of Tennessee Williams' work, she was nominated for her performance in Tennessee Williams' Night of the Iguana at A. R.T, Harvard University. Her other performances in works by Williams include the landmark 1974 Broadway production of Cat on a Hot Tin Roof, Suddenly Last Summer, The Red Devil Battery Sign, The Milk Train Doesn't Stop Here Anymore, Out Cry, Sweet Bird of Youth, and The Glass Menagerie. She is the first actress to have played Maggie in Cat and years later to play Big Mama in a highly praised production at Hartford Stage. Her many films include: Ocean's Eight, Villa Capri, The Cake Eaters, Happiness, The Carpetbaggers, Ship of Fools. Recent Broadway: Dividing The Estate, the acclaimed 2015 revival of You Can't Take It With You, and Gore Vidal's The Best Man. Her audio book recording of John Lahr's definitive biography, Tennessee Williams: Mad Pilgrimage of the Flesh, was hailed by The New York Times as "the finest recorded interpretation of English Language Literature in many years."
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