Skip to main content Skip to footer site map

Review: ACTUALLY Asks the Audience to Consider if Consent Was Given

There has been much revealed in legal proceedings relating to what actually constitutes consent when it comes to physical entanglements that somehow go incredibly wrong, thus resulting in a rape charge. Lives can be sidetracked and careers often destroyed upon a court or jurors ruling on who was at fault in such cases, even when the evidence seems too point in both directions. So how do you decide?

Such in the case in the award-winning playwright Anna Ziegler's ACTUALLY, directed by Tyne Rafaeli at the Geffen Playhouse through June 11, 2017, as a co-world premiere with the Williamstown Theatre Festival. The play tells the story of Amber and Tom, who, finding their way as freshmen at Princeton, spend a night together that alters the course of their lives. They agree on the drinking, they agree on the attraction, but as their physical encounter takes place, consent is foggy, and if unspoken, can it be called consent or rape?

Anna Ziegler's ACTUALLY invites the audience to explore the complex dynamics of sexual assault, this time dealing with not just what constitutes consent but also gender and race politics, our crippling desire to fit in, and the three sides to every story. The entire play is presented by Amber and Tom sitting on two chairs within a box set, each presenting their side of the story about the night in question without really offering a conclusion, leaving it up to the audience to decide for themselves who was really at fault.

Jerry MacKinnon portrays Tom, a black and confident honors student with no problem attracting attention from all types of women, and Samantha Ressler is Amber, a white, inexperienced and rather lonely student who has little knowledge of the possible physical realities of any sexual encounter. The third character is really the amount of alcohol consumed between them that clouded both their memories as well as the quickness with which the two jumped into bed together. Ultimately the question of consent comes into play when Amber believes the force with which Tom pursued her was not given with her consent, although she never said "No" but just jumped out of bed and questioned him with "Actually...." which she assumed he realized meant she was not prepared for such a rough encounter.

As we watch and listen to the two characters relate to each other through their individual remembrances of the encounter, which we never witness, their early lives, families and struggles to get into Princeton, it becomes incredibly apparent that these two so different people probably should never have taken up with each other given their incredible differences and her total lack of understanding the male psyche. Both actors are onstage the entire time, with little physical action taking place. Yet each conveys their characters so effectively, you will no doubt formulate your own opinion of whether or not consent was given by Amber to Tom to continue the encounter once she felt uncomfortable with his actions. There is no true decision to be made, but rather one each audience member must decide for themselves. Be prepared for many topical discussions afterwards in the lobby as well as on your ride home!

In fact, I encourage you to attend on a TALK BACK TUESDAY as I did when audience members have a chance for a deeper conversation to discuss plot, character themes or any other questions directly with the artists during a post-show Q&A from the stage.

A grant from The Sheri and Les Biller Family Foundation is providing support for this production of ACTUALLY as well as increased opportunities for high school and college students to experience it and take action on the issues it presents. And with sexual politics a much-needed conversation needed on college campuses, through a variety of events and other opportunities, the Geffen Playhouse welcomes college students to experience the live storytelling presented in this play. With the location across the street from UCLA, the Geffen is proud of its association with UCLA's School of Theater, Film, and Television, and opens its doors to all college students throughout Los Angeles at a discounted rate. More information is available at www.geffenplayhouse.org/college.

ACTUALLY performances in Audrey Skirball Theater at the Geffen Playhouse, located at 10886 Le Conte Avenue, Los Angeles, CA 90024, take place Tuesday - Friday at 8:00 pm, Saturday at 3:00 and 8:00 pm, and Sunday at 2:00 and 7:00 pm. Tickets are priced at $60 - $82, available in person at the Geffen Playhouse box office, by phone at 310.208.5454 or online at www.geffenplayhouse.org. Rush tickets for each day's performance are made available to the general public 30 minutes before showtime at the box office at $35 General or $10 Student.

Photos by Chris Whitaker



AINT MISBEHAVIN to Open Ebony Repertory Theatre 15th Anniversary Season Photo
Ebony Repertory Theatre will present the Tony Award-winning musical AIN’T MISBEHAVIN’ as its 15th Anniversary Season Opening Production. 

VIDEO: Susan Graham On How She Got Her Start Photo
Legendary mezzo-soprano and LAO Young Artist Artist Director Susan Graham is back on the DCP stage in her role debut as Geneviève in 'Pelléas and Mélisande.' We sat down with her to ask about her inspiring start in opera, her role as a mentor, and the advice she has for the up-and-coming generation of singers.

Third Performance Added for Bernadette Peters at the Pasadena Civic Auditorium Photo
A 3rd performance  of Bernadette Peters in Concert will be presented June 9-11, 2023 at the Pasadena Civic Auditorium.

Liz Callaway & Ann Hampton Callaway Are Getting Ready to Play the Samueli Theater Photo
Segerstrom Center for the Arts will soon present Broadway The Calla-Way with Liz and Ann Hampton Callaway performing a cabaret in the Samueli Theater for three nights from March 30 - April 1, 2023.


From This Author - Shari Barrett

Shari Barrett, a Los Angeles native, has been active in the theater world since the age of six - acting, singing, and dancing her way across the boards all over town. After teaching in secondary sc... (read more about this author)


Interview: Director John Farmanesh-Bocca On His Vision For PICNIC By William IngeInterview: Director John Farmanesh-Bocca On His Vision For PICNIC By William Inge
March 21, 2023

John Farmanesh-Bocca is a multi-award-winning physical theatre director, the Founding Artistic Director of both Not Man Apart - Physical Theatre Ensemble (2005-2015) and Shakespeare Santa Monica (2003-2014). Now he has shifted gears to go on a search for America by directing the sensual, passionate, and delightfully funny Pulitzer Prize winning play Picnic by William Inge, with his version featuring an entirely Black American cast. I decided to speak with him about his vision for presenting the quintessentially American play and the unique challenges faced while shifting gears from physical movement to character development.

Interview: Ben Donenberg, Graham Wetterhahn, And Sara Beil On THE TEMPEST: AN IMMERSIVE EXPERIENCEInterview: Ben Donenberg, Graham Wetterhahn, And Sara Beil On THE TEMPEST: AN IMMERSIVE EXPERIENCE
March 17, 2023

As a fan of Shakespeare and immersive theatre productions, I was intrigued when I heard that The Shakespeare Center LA and After Hours Theatre Company were set to present the premiere of The Tempest: An Immersive Experience, a fully reimagined audience-participation performance based on William Shakespeare's tale of family members caught up in a storm and shipwrecked on an isolated Mediterranean island. So I decided to speak with the production's director Ben Donenberg, Shakespeare Center LA Artistic Director, Graham Wetterhahn, the Producing Artistic Director at After Hours Theatre Company, and Sara Beil one of the producers for After Hours who created the immersive design, about their vision for an immersive way to include audience members in the experience of Shakespeare's tempestuous play.

Interview: Co-Directors Jeremie Loncka And Rich Loya On (IM)MIGRANTS OF THE STATE At The Actors' GangInterview: Co-Directors Jeremie Loncka And Rich Loya On (IM)MIGRANTS OF THE STATE At The Actors' Gang
March 17, 2023

For seventeen years, the teaching artists of the Actors’ Gang Prison Project have been creating transformational opportunities for incarcerated men and women. Their latest workshop production, (Im)migrants of the State, is performed by an ensemble of their alumni with over 240 years of combined incarceration who have found their way to freedom and now want to share their stories with audiences. I decided to speak with its co-directors, Jeremie Loncka, who also serves as the Director of Programs for the Actors’ Gang’s Prison Project, and ensemble member Rich Loya, about their vision for the project and how it came into being with the two of them at the helm.

Interview: Director Paula Kelley On Neil Simon's LITTLE ME Musical At Manhattan Beach Community Church TheaterInterview: Director Paula Kelley On Neil Simon's LITTLE ME Musical At Manhattan Beach Community Church Theater
March 13, 2023

The soon-to-open production of the Neil Simon musical Little Me at Manhattan Beach Community Church Theater (MBCC), the longest running theater in the South Bay since 1956, is directed by Paula Kelley with choreography by Angela Asch. Originally scheduled to open in the Spring of 2020, I decided to speak with the director about the production’s three-year delay and how she envisions presenting a musical full of comic vignettes featuring such a large cast, especially since it was written specifically for Sid Caesar to play multiple roles as all the heroine’s husbands and lovers.

Interview: Mitch Hara Talks Revamped MUTANT OLIVE 2.0 at the Hudson Guild TheatreInterview: Mitch Hara Talks Revamped MUTANT OLIVE 2.0 at the Hudson Guild Theatre
February 26, 2023

Back in 2015, I caught a solo performance play Mutant Olive, created and performed by Mitch Hara. I decided to speak with him about his revamped play, Mutant Olive 2.0, soon to begin performance at the Hudson Theatre in Hollywood, to ask about the new show, it’s title, and what’s been going on during the 8 years since Mutant Olive in its original form premiered.