HAMILTON (Broadway and All Tours) Equity Male-Identifying Ensemble Dancers - Various Producers Auditions
HAMILTON (Broadway and All Tours) - Various Producers
HAMILTON (Broadway and All Tours) - NYC ECC Male Identifying Dancers
Various Producers | ,
Notice: Audition Call Type: ECC
AUDITION DATE
Wednesday, May 3, 2023
10:00 AM (E)
CONTRACT
Production (League)
$2439 weekly minimum - Broadway
$2311 weekly minimum - Tours
SEEKING
Equity actors for Male Identifying chorus dancer parts in HAMILTON (See breakdown).
SEE
BREAKDOWN
FOR INFORMATION ON PROCEDURES FOR THIS AUDITION.PREPARATION
Please prepare the MY SHOT dance
combination in the following link:
https://www.dropbox.com/sh/tm3wdady3crw3 ye/AAC1tp0dU3lRkOv-DpPXBc1ha?dl=0 . Please arrive warmed up and ready to dance in form-fitting clothing and sneakers. Also, please bring your headshot and resume stapled together.
HAMILTON (Broadway and All Tours) - NYC ECC Male Identifying Dancers
LOCATION
Pearl Studios (500)
500 8th Ave
New York, NY 10018-6504
Holding room Studio 414
PERSONNEL
Producer: Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theater
Director: Thomas Kail
Music & Lyrics: Lin-Manuel Miranda
Choreographer: Andy Blankenbuehler Orchestrations/Music Supervisor: Alex Lacamoire
General Manager: Andy Jones
Casting: The Telsey Office
Expected to attend:
Michael Mindlin (Assistant Choreographer) Peter Dunn (Casting Associate)
Alexis Brown (Casting Assistant)
OTHER DATES
Currently running
OTHER
Please note: we are in the process of gradually ramping up Equity monitor presence at auditions held at venues other than the Equity audition center. This off-site audition will be facilitated by an Equity monitor.
Equity’s contracts prohibit discrimination.
Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
THIS ECC WILL BE HELD FOLLOWING PRE-PANDEMIC PROCEDURES. Equity will be beginning a return to the pre-pandemic ECC procedures with auditions taking place in the New York Audition Center at the end of the month, with a full return to these procedures for all ECCs in all locations beginning May 1. For this audition, rather than making a specific appointment, Equity members will sign up online to attend the ECC. On the day of the audition, the Equity monitor will read the list of members who signed up online to attend (in the order they signed up) and will distribute numbers to those present. Members who do not sign up in advance may request a number after everyone on the list has been accommodated. All members who receive a number prior to the start time of the audition will be seen. For more information on how these ECCs will run, please review Equity Chorus Call Audition Procedures (dated July 22, 2016) in the Document Library.
(
https://members.actorsequity.org/ecc-procedures).
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
Holding/Audition room information:
The maximum capacity in the holding room is: 100
The maximum capacity in the audition room is: 35
The maximum number of dancers allowed in the room at one time is: 31
SEEKING:
[ENSEMBLE DANCERS/ OFFSTAGE SWINGS] – Ages 19 to early 30s, all ethnicities, all genders. Actors of color are strongly encouraged to submit. Amazing dancers, versatile in all forms of contemporary dance. Must sing VERY well and be able to portray various characters in the ensemble. Ensemble and swings will also be considered to potentially understudy principal roles.
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