THE GREAT GATSBY (Broadway) Equity Principal Actors - Gatsby Broadway LLC Auditions
THE GREAT GATSBY (Broadway) - Gatsby Broadway LLC
THE GREAT GATSBY (Broadway) - NYC EPA
Gatsby Broadway LLC | New York, NY
Notice: Audition Call Type: EPA
AUDITION DATE
LOCATION
Thursday, March 12, 2026
Ripley-Grier Studios (520)
520 8th Ave
10:00 AM - 6:00 PM (E)
New York, NY 10018-6507
Lunch 1:30–2:30 PM — Studio 17X (Holding), Studio 17T (Audition)
CONTRACT
PERSONNEL
CONTRACT
Production (League) Director: Marc Bruni
$2,717 weekly minimum
Book: Kait Kerrigan
Lyrics: Nathan Tysen
Music: Jason Howland
Choreographer: Dominique Kelley
Music Director: Daniel Edmonds
Equity actors for possible replacements in THE GREAT GATSBY (see breakdown).
Producers: Chunsoo Shin, OD Company
Casting: C12 Casting
All stage management positions are filled at this time.
PREPARATION
Expected to attend: Stephen Kopel, Jillian Cimini or Neal Buckley, Casting Directors.
Please bring sheet music for a short contemporary pop song or contemporary musical theatre song that shows off your voice. A piano accompanist will be provided. Please also bring a picture and resume stapled together.
OTHER
We are committed to anti-racism and anti-oppression practices in all areas, including casting. We acknowledge histories of systemic exclusionary practices and will continue to dismantle barriers to theatre making and to auditioning for actors of all races, ethnicities, national origins, gender identities or expressions, body types, and abilities.
EPA Procedures are in effect for this audition. An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.
Breakdown
JAY GATSBY
Early 30s — Dashing and obsessive. Gatsby is “new money.” Having pulled himself up by his bootstraps through shady business dealings that he’ll never admit, he is now the paragon of the American Dream.
Vocal range: Thrilling and distinctive pop tenor with the ability to navigate multiple genres.
NICK CARRAWAY
29 — Thoughtful, observant and optimistic on his arrival in New York City; Nick is swept up by the wealth and the glamor he’s surrounded by.
Vocal range: Pop tenor.
DAISY BUCHANAN
Late 20s — Nick’s cousin. Charming, witty, and secretly brilliant. Daisy was once a debutante of the highest order, and now she’s a wife and newly a mother. Her voice is full of money. Her smile could light up the World’s Fair.
Vocal range: Thrilling and distinctive pop soprano with a high belt to an F, down to an F below middle C. Ability to navigate multiple genres.
TOM BUCHANAN
Early 30s — Daisy’s husband. “Old money,” classic boys-will-be-boys “gentleman” who has never had to work a day in his life. He has the caustic dry wit of a blowhard.
Vocal range: Baritone.
JORDAN BAKER
20s — Daisy’s best friend. A New Woman. Unmarried. A golfer. Jordan has her finger on the pulse of what makes New York City tick. Always has a wisecrack ready, always wants to have the last word. A strong dancer/mover.
Vocal range: Strong pop belt; range is flexible.
MYRTLE WILSON
30s — The life of the party if she weren’t stuck living above a garage in the middle of nowhere. Myrtle is a striver, a flirt, and a loud mouth with a passion for the finer things. Married to George Wilson.
Vocal range: Strong, character-driven alto.
GEORGE WILSON
30s — A loner with a penchant for talking to a large billboard that hangs over his garage. He is desperately trying to get out of Queens, and regain the love of his wife Myrtle, who feels like she’s slipping through his fingers.
Vocal range: Baritone.
WOLFSHEIM
50s–60s — Wolfsheim is a larger-than-life gangster who is equal parts warm and menacing. A strong mover.
Vocal range: Strong, character-driven baritone.
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