I can't believe no one mentioned Showboat - which chronicles 25 years of changes in American culture and values - all while telling a schmaltzy love story!
As jasonf said, to call "Assassins and Ragtime" it, is absolutely asinine.
TOns of shows deal with it, but if you had to say there was only ONE musical about America, it would e 1776. It's about writing the Declaration of Independence, which, correct me if I'm wrong, but we wouldn't even *have* an America without it.
And, while I think it makes a better album than show, The Civil War should count.
"If this is going to be a Christian nation that doesn't help the poor, either we have to pretend that Jesus was just as selfish as we are, or we've got to acknowledge that He commanded us to love the poor and serve the needy without condition and then admit that we just don't want to do it." -Stephen Colbert
Hmm.. suprised no one mentioned American Idiot. It certainly does describe America in the same direction as Urinetown does. Updated On: 7/2/10 at 04:16 PM
BEN FRANKLIN IN PARIS described Franklin's visiting the king of France to get financial and moral support for the War of Independence. It starred Robert Preston who was his usual authoritative self and boasted a good score, helped by Jerry Herman. This 1964 musical flopped at 215 performances, but I thoroughly enjoyed myself. And the sets and costumes were great.
side note... I saw HAiR on the fourth last year, and everyone - cast and audience - cheered in "Going Down" when Berger says "it's like the fourth of July". It was very America pride-y.
"I've never encountered such religiously, you know, loyal fans as Broadway musical theater fans. It's amazing."
--Allison Janney
How is "A Little NIght Music" about "America"? Some of these choices.. :-/.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000