Roy Berko - Page 3

Broadwayworld Cleveland's Roy Berko recognizes each year local theaters, performances, writers, performers and technicians of plays staged by area professional theaters during the January 1-December 31 year. 

What did our critic think of JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT at Beck Center?

What did our critic think of A LIGHT IN THE NIGHT: A HANUKKAH PLAY at Tailspinner?

What did our critic think of HAIRSPRAY at Connor Palace? The farcical, yet message-loaded HAIRSPRAY, is the type of musical that in a bad production falls flat, but in a good production the audience gets all-kinds of involved.

What did our critic think of BLACK NATIVITY at Karma In Partnership With Cleveland Play House? Langston Hughes, the author of BLACK NATIVITY, now on stage at the Allen Theatre, in a joint production between Karamu, the country’s oldest black producing theater and the Cleveland Play House, the nation’s first resident company, was an American poet, social activist, novelist, playwright, and columnist.

What did our critic think of LITTLE WOMEN at Dobama?

What did our critic think of PIPPIN at BW Musical Theatre Program? In the Fall of 1971, while chaperoning a group of college students to New York, I saw PIPPIN, the Stephen Schwartz (music and lyrics), Roger Hirson (book), Bob Fosse (director/choreographer) musical.  I had an instant love affair with the show!

What did our critic think of TROUBLE IN MIND at Seat Of Pants Productions? The late-Alice Childress, the author of TROUBLE IN MIND, now being staged by Seat of the Pants Productions, was an American novelist, playwright, and actress, who was acknowledged as the only African-American woman to have written, produced, and published plays for four decades.

What did our critic think of GIRL FROM THE NORTH COUNTRY at Connor Palace? David Greene, the Senior Vice President of Programming at Playhouse Square, informs theater-goers in his program notes for GIRL FROM THE NORTH COUNTRY that “it is a non-traditional musical which features songs by music legend and Rock and Roll Hall of Famer Bob Dylan.” 

What did our critic think of MARY SHELLEY'S FRANKENSTEIN at Cleveland Play House?

What did our critic think of THE ISLAND at Ensemble? Native South Euclid resident and Brush High School grad, Dr. Alan Wieder, is on a quest “to stem the tide of forgetfulness.”  The oral historian, who has been on the faculties of both South Africa’s University of Western Cape and Stellenbosch University, is concerned that “few young South Africans know of the contributions or the sensibilities regarding the social justice and the revolution against class disparity and racism in the world.” 

What did our critic think of DRACULA: THE BLOODY TRUTH at Great Lakes Theater? The cast worked hard, the stagehands did their part with great enthusiasm, but all in all DRACULA: THE BLOODY TRUTH just didn’t live up to expectations. 

What did our critic think of THE GROWN-UP at Convergence-continuum? THE GROWN-UP, Pulitzer Prize finalist Jordan Harrison’s play, which is now on stage at convergence-continuum, in its Ohio premiere, uses fantasy to explore how quickly life changes and, therefore, that life is too short to miss any moment of it.  

What did our critic think of MAKE BELIEVE at Dobama?

What did our critic think of THE WIZ (THE TOURING COMPANY) at Connor Palace?

What did our critic think of CAT'S PAW at Beck Center For The Arts? William Mastrosimone, the author of CAT’S-PAW, now on stage in the Studio Theatre at Beck Center, states, “In the early 80s I was shocked by the questionable methods of some activists who called themselves environmentalists.

What did our critic think of CLYDE'S at Karma?

What did our critic think of THURGOOD at Cleveland Play House?

What did our critic think of LUNGS at Ensemble?

What did our critic think of AN EVENING WITH AUDRA MCDONALD at BLOSSOM Music Center?