Review: MRS. DOUBTFIRE at Capital One Hall
When a husband is as hyper, irresponsible and over-the-top as the one in the movie “Mrs.
Roger Catlin - Page 2
Review: SO LATE INTO THE NIGHT at Rorschach Theatre
It was a rainy summer in Cologny, Switzerland in 1812, where the gathered literati — including Lord Byron, Percy Bysshe Shelley, John William Polidori, Mary Shelley and her stepsister Claire Clairmont -- tried to amuse themselves in the gloom by creating their own ghost stories.
Review: THE ONE GOOD THING - OR 'ARE YA PATRICK SWAYZE?' at Washington Stage Guild
In a small coastal town in Ireland, a pair of brothers greet each other one glorious morning on the Emerald Isle.
Review: FIRE WORK at Theater Alliance
It’s an odd thing to consider, especially in a week that began with Labor Day.
Review: SAILING: YACHT ROCK at Signature
The Signature cabaret succeeds because it gets the irony.
Review: HARRY POTTER AND THE CURSED CHILD at National Theatre
The best-selling book series in history, which in turn became one of the highest-grossing franchises of filmdom would naturally spawn a big Broadway hit, the nationally touring version of which is playing D.
Review: LOTUS: A QUARANTINE STORY at District Fringe
Two years of cancellations because of Covid helped lead to the dissolution of Capital Fringe in January after 20 years.
Review: APROPOS OF NOTHING at Keegan Theatre
Inappropriate crushes are best left to oneself, especially when it involves a married person — a lesson never learned by Owen (Ryan Sellers), the lead character in Greg Kalleres’ comedy “Apropos of Nothing” making its DC premiere at the Keegan Theatre.
Review: WIPEOUT at Studio Theatre
The final play of the season at Studio Theatre comes with some environmental warnings.
Review: TWELFTH NIGHT at Folger Shakespeare Theater
When it came to gender fluid plays, William Shakespeare was way ahead of the curve even 400 years ago.
Review: CHOKE at GALA Hispanic Theatre
Among its other achievements, the world premiere of the Spanish language “Choke” at GALA Hispanic Theatre should also be noted as perhaps the first play to incorporate the collapse of Baltimore’s Key Bridge.
Review: THE (R)EVOLUTION OF STEVE JOBS at Kennedy Center
It’s not so strange, really, that there’s a serious opera about Apple co-founder Steve Jobs.
Review: HEDWIG AND THE ANGRY INCH at Signature
After “Hedwig and the Angry Inch” first premiered on Broadway in 1998, Signature Theatre became one of the first regional theaters to stage the brash hit in its own very successful production in 2002.
Review: FAKE IT UNTIL YOU MAKE IT at Arena Stage
At a time when the reckless cruelty of the current administration has been decimating the city of federal workers and shuttering NGOs, there may not be much appetite for a comedy romp about infighting among such agencies.
Review: CULLUD WATTAH at Mosaic Theater
The Flint, Michigan water crisis began when the city decided to save money by switching its source of water from Detroit to the Flint River in 2014.
Review: UNCLE VANYA at Shakespeare Theatre Company
Devotees of Downton Abbey may be be surprised when Hugh Bonneville pops up as title character in the Shakespeare Theatre Company’s first rate staging of Anton Chekhov’s Uncle Vanya.
Review: PROFESSOR WOLAND'S BLACK MAGIC ROCK SHOW at Spooky Action Theater
Professor Woland’s Black Magic Rock Show continues through April 13 at Spooky Action Theatre, operating at the Universalist National Memorial Church.
Review: THE GARBOLOGISTS at Theater Alliance
It’s fitting that the Theater Alliance’s terrific new offering “The Garbologists” is presented in a temporary pop-up in the sprawling ground floor of a new apartment building — an industrial, no-frills empty retail space that could serve as a truck garage for the two workers featured in Li
Review: ESCAPE FROM THE ASYLUM at Washington Stage Guild
The latest offering from Washington Stage Guild, “Escape from the Asylum: A Madcap Mystery,” is a sequel to the Patricia Milton play presented there last season, “The Victorian Ladies Detective Collective.
Review: WHO CARES: THE CAREGIVER INTERVIEW PROJECT at Voices Festival Productions
Health care systems and society in general has never adjusted to just how long people are living these days.
.jpg?format=auto&width=365)
Tickets From $59
Tickets From $60
Tickets From $95
Tickets From $73