Natalie O'Donoghue - Page 12

James Trickey is throwing it all away. A hotly anticipated debut hour from award-winning new act and chartered accountant (but in a cool way) which explores what it means to risk everything. Expect to laugh, learn and crucially, laugh again.

The full cast has been revealed for Rollers Forever - the brand-new musical featuring the songs of the legendary Bay City Rollers - opening at the Pavilion Theatre, Glasgow from 19–30 August 2025.

Hyp Me Baby One More Time! The unmissable smash-hit comedy hypnotist is back with a 90s party hypnoshow!

ack at the Fringe with an electrifying, one-of-a-kind spectacle of slick, mind-bending magic, laugh-out-loud comedy, cutting-edge video production and astonishing illusions – magic like you've never seen before!

Edge-of-nowhere, Glasgow, Central Belt. An abandoned, derelict bridge. A young man and an old man decide to take their own lives. In the same spot. At the same time. They've never met and they didn't know the other was going to be there.

oin the hilarious diva Sikisa for Serving Justice – a bold, thought-provoking hour exploring truth, identity, and what justice looks like in love and life. She dives into her love of wrestling, the pressure to have kids, and the realities of the immigration system – with a twist.

The brand new recordings feature an all-star cast of guest artists including Gaelic Singer of the Year Kim Carnie, JUNO Award-winning banjo player Kaia Kater and four-time BBC Alba Scots Singer of the Year Siobhan Miller alongside top musical theatre talent including Olivier Award-winner Rebecca Trehearn and CATS Award-winner Kirsty Findlay.

A mysterious investigation of the great American writer, inspired by his scandalous life and the Black and White ball he hosted at the Plaza Hotel. A provocative journey through success, sabotage, addiction and true crime, from Garden City to New York.

The Last Laugh is written and directed by the award-winning Paul Hendy, and stars “a trio of sublime performances” (WhatsOnStage) by Bob Golding as Morecambe, Simon Cartwright as Monkhouse and Damian Williams as Cooper.

PPP announced 12 new plays as part of their 2025 Autumn season. A Play, A Pie and A Pint (PPP) has today announced its Autumn 2025 season, with 12 brand-new productions performing weekly from Monday 1 September to Saturday 22 November 2025 at Òran Mór, Glasgow, and on tour across Scotland in Ayr, Aberdeen, Edinburgh and Paisley.

Claudia is consumed by her split ends until she fell in love with a hairy Vacuum. The Vacuum would shed his hairs, leave, reappear, malt, leave, appear, cheat, shed. She waited for him to pull the plug on what they had because she couldn't.

Soda Pop is an alt-comedy tour de force: a multimedia, stream-of-consciousness ride through the mind of a slightly deranged gay man. Featuring original music and media, Parker keeps audiences laughing and asking, 'is this the gay agenda'?

Theatrical, outrageous, silly and sexy, Tomáš Kantor's award-winning debut is about Sugar – a gender-queer twink who discovers there's money to be made from transactional relationships (though their primary source of information is Julia Roberts in Pretty Woman).

A bad boy? Hot. A bad person? Not. It’s Christmas Day and Laurie’s on her way to visit her boyfriend… in prison. A must-see fringe debut from US comedian Laurie Magers (Netflix’s Obliterated, Upright Citizens Brigade) about the time she dated an incarcerated multi-felon.

EL is not well. Her weekly therapy sessions reveal more than she expected. As she shares her story, secrets and dark memories surface through a muddle of cathartic flashbacks and visceral 'rave-clubbing deliriums' played out in her mind. In these frantic moments, all EL can do is dance.

An improvised choose-your-own adventure, featuring actors, a cute robot host and AI, where the audience controls the show! By award-winning Improbotics who created Artificial Intelligence Improvisation.

Waiting for Texto is an electrifying interactive comedy play that captures the raw, universal experience of waiting for a response to your carefully crafted WhatsApp message. Through humour and technology, it explores the frustration of not getting a reply after an unforgettable night. Described as Bridget Jones meets Baby Reindeer, the play offers a fresh, hilarious take on the trials of modern dating, perfect for anyone who's struggled with love and texting in the digital age. If men are such visual creatures, why can't they see my texts?!

An immersive sound bath and communal listening space guided by live ambient electronic music. Designed to care for and reinvigorate the audience, the space invites you to sit, stand or lie down. The audience is invited to offer their own sounds to help create the sonic meditation, with the intention of promoting connection, attention and radical listening.

Suddenly thrust into an existentialist journey of self-discovery, Jade's world begins to unravel, seeing him at loggerheads with his most trusted voice of reason... himself. Written and performed by Hassan Govia

In a twist of fate, an ordinary man finds himself magically transformed into the Queen of the Carnival. With advanced age, abundant body hair and limited talents, he is an unlikely candidate. Praised as a 'whimsical tour de force' (Orlando Weekly), this non-verbal blend of clown, drag and queer joy reminds us it's never too late to embrace your true self.