Michael Rabice - Page 5

For those of a certain age, growing up included reading or hearing the voices of columnists and commentators like Paul Harvey, Dear Abby, Howard Cosell, and Erma Bombeck . In fact Erma and Abby had columns that often ran side by side. Dear Abby gave advice and Erma commented on the every day life of American housewives. While all of these names will be lost on millennials, everyone over 45 years old will have some memory of these folks. A production of the one act play 'ERMA BOMBECK: AT WIT'S END' is playing at Shea's 710 Theatre through November 10th after it's successful run at Rochester's Geva Theatre, and includes the same cast. That is, a cast of one.

The most famous of man eating plants made a Halloween weekend appearance as LITTLE SHOP OF HORRORS played out on the Shea's 710 Theatre stage Friday night. Under the auspices of the fledgling STARRING BUFFALO company, Buffalo was treated to it's second fully realized staged musical reading. Director Drew Fornarola has assembled three of Broadway's best young talents to visit the Queen City, work along side some of Buffalo's own finest actors, and mentor and perform with three of the areas High School choirs. After their fine inaugural production of THE HUNCHBACK OF NOTRE DAME last year at Rockwell Hall, the change of venue seemed to work perfectly.

COME FROM AWAY has come to Buffalo. The show with that rather odd title that has been beguiling audiences since it's inception and doesn't have the same name recognition as HAMILTON fully deserves to be placed among HAMILTON's ranks. When the brilliant tour opened at Shea's Buffalo Theatre on Tuesday night I have feeling that most people in the audience had no idea what they were about to see (and quite honestly, may only have been in the audience because they kept their subscription from last season that guaranteed a seat for HAMILTON. ) What played out over the next 100 minutes was one of the most captivating and ingeniously told pieces of theatre seen in many years.

A gritty reality that is so true to form that you have to remind yourself you are watching a play, versus eavesdropping on someone's life... That is what is playing out in Tracy Letts'  SUPERIOR DONUTS, now at Shea's 710 Theatre in a winning production by Road Less Traveled Productions. 

Buffalo's Irish Classical Theatre Company has chosen to open their 2019-20 season with a rarity,  'TIS PITY SHE'S A WHORE by John Ford. First seen in 1633, the question arises as to whether this Jacobean drama still deserves to be produced. Happily, this often shocking play has enough intrigue to  keep the audience engaged. By it's final moments, the elements of incest, murder, poisoning, and deception lead to a drama of epic proportions that grips the viewer.

The brilliant comedian Tina Fey has brought her clique of nasty teenage girls to town to open the First National Tour of her Broadway hit musical, MEAN GIRLS. After the success of the film version, Fey and her husband, composer Jeff Richmond, have added music to the story of teenage angst and meanness. The genre has been well populated over the years, with growing up and adolescent relationships proving to be great fodder for shows like GREASE, BYE, BYE, BIRDIE,  HAIRSPRAY, HIGH SCHOOL MUSICAL and most recently, THE PROM.

The Shaw has once again programmed a play known by few. After their success at rediscovering Mae West's SEX this season, I was hoping that THE LADYKILLERS would produce yet another unearthed gem. This comedy, mostly unknown outside of the UK, was briefly revived on the West End in 2011,but it's humor may best be served in a different era.

How does an author title a play? Well, there should be something descriptive, enticing or informative to engage the audience from the outset.The Shaw Festival in Niagara on the Lake has gone out of a limb and programmed a virtually unknown play that is rarely, if ever produced. Oh, and the title is simply SEX. And it's author is no other than the infamous Mae West! But did West really write plays? She most certainly did and did so for her own star turns. Written in 1926, unable to advertise using the title, and later raided after running for a year, SEX was almost forgotten. Happily, this highly polished and entertaining production now running through October turns out to be the sleeper of the season.

Provincetown will see yet another return visitor when Lucie Arnaz returns to The Crown and Anchor for a one night only concert of her latest act ' I Got The Job: Songs From My Musical Past.' After selling out this same concert last year, producer Rick Murray asked Ms. Arnaz to return with the same show that had audiences cheering. Along with her musical director Ron Abel, the show will play Monday July 22,2019 at 8pm. Arnaz and Abel will bring this show to a many more venues over the next year, including New York's fabled 54 BELOW CLUB this fall .

A pervading air of discontent and general unease looms over the lackluster St. Louis apartment of the Wingfield family in Tennesee Williams memory play, THE GLASS MENAGERIE. The Shaw Festival is presenting this classic with the loving care that it deserves, and the end result is a gripping production. The small stage of the Jackie Maxwell Studio Theatre presents the play in the round, so the audience intimately surrounds the dreary lives of Williams' characters. Written in 1944, and based on Williams' own family, we meet a down trodden mother and her adult son and daughter. The play is told as the son's memory , looking back 20 years. But the whole family seems to be plagued by all of their memories, whether happy or sad, seemingly leaving their present lives to be played out for naught.

The Shaw Festival has a great history of producing murder mysteries and this season we are lucky to have Patrick Hamilton's play 'ROPE.' Probably more well known as the 1948 Alfred Hitchcock movie starring Jimmy Stewart, ROPE had it's start in 1929 on the British stage. It's twist lies in the fact that it is not a 'whodunnit,' but a 'can they get away with it.' Hamilton's knack for mystery can also be seen in his other famous thriller, GASLIGHT. From start to finish, this production of ROPE is a riveting hit.

To say that George Bernard Shaw's social commentaries were erudite would be an understatement. His keen eye and astute observations always allow the reader or viewer to take pause and contemplate life in a different light. The Shaw Festival in Niagara-on-the Lake is producing one of his lesser works, GETTING MARRIED. Originally written for the stage in 1908, many of it's concepts remain unchanged regarding the institution of marriage and it's sanctity, but Shaw ingeniously takes us for a roller coaster of a ride in telling this story.

The mystical land of BRIGADOON has emerged once again at Niagara on the Lake's Shaw Festival, and the now rarely produced musical still brings with it a sense of hope wrapped around Alan Jay Lerner and Frederick Loewe's hauntingly beautiful lyrics and score. And while re-engaging with this Golden Age of Broadway classic brings with it a sense of familiarity, injecting new life into the work written in 1947 presents some obstacles.

Intelligent, engaging and well cast theatre has returned to the former Studio Arena theatre with MusicalFare's fine production of FUN HOME. The space may now be called by a different name, Shea's 710 Theatre, but those floor boards have been tread by ingenious predecessors who forged new works worthy of discussion and revelations in the 1960's and 70's. FUN HOME fits perfectly into the space physically and dramatically, challenging the audience with concepts of fidelity, sexuality and escapism.

The most famous of all Danish princes is making a welcome return to the Buffalo stage in Irish Classical Theatre's riveting production of William Shakespeare's HAMLET. Programming the Bard's works doesn't usually fall into many theatrical seasons, but ICTC has taken a risk that is paying off. In addition, it is the ICTC directorial debut of it's next Artistic Director Kate LoConti Alcocoer. Happily the planets all seem to be in alignment.

Should I laugh out loud? What is everyone else thinking? Is this for real? These emotions and thoughts are not usually associated with a musical comedy, but THE BOOK OF MORMON is anything but your typical musical. The blockbuster 2011 musical from the creators of TV's 'South Park' can best be described as a brilliant and irreverent absurd extravaganza that would make the most uptight school marm giggle and blush. It's not often that the subject of a relatively modern religion could create enough comedy fodder to engage audiences all over our often racially and religiously divided country, but hold on to your hats for a whirlwind of comic genius. The national tour is playing at Shea's for the rest of this week.

Vincent O'Neill, Artistic Director of the Irish Classical Theatre Company, and Kevin C. Brady, President of ICTC's Board of Trustees, On Monday announced its plans for a transition in Artistic Leadership and an exciting vision for the company's future. The transition will commence in the 2019-2020 Season and culminate during the celebration of ICTC's 30th Anniversary Season in 2020-2021.

One could say the stars aligned for one brief day in 1956 when four musicians at the edge of stardom met in the same recording studio. Elvis Presley, Jerry Lee Lewis, Johnny Cash and Carl Perkins make up that aptly named MILLION DOLLAR QUARTET and their story plays out in the musical play of the same name. Produced by MusicalFare and present by Shea's 710 Theatre, this slick production is sure to make music lovers of all kinds appreciate how these four titans changed the sound of American music with rock and roll.

Playwright Tony Kushner's magnum opus may very well be what he subtitled 'A Gay Fantasia on National Themes.' Better known as ANGELS IN AMERICA, PART ONE: MILLENNIUM APPROACHES, this pivotal piece of theatre was written during the height of the AIDS crisis in America when maudlin stories of dying young men were plastered everywhere. But why refer to this piece as a 'fantasia' and what did it really mean. In lesser hands, the fantasia connotations could lead to ideas of raunchy drag show , but Kushner has fashioned a gripping account of one man's gut wrenching struggles with AIDS and how those around him cope with the illness. While sometimes blurring the borders of reality and fantasy, Kushner's fascinating play is underscored by the politics of the Reagan era mixed with religious ideologies.

The showman and the politician... No, this is not a description of Donald Trump. But feel free to insert any names you feel appropriate. In this case I am referring to David Frost and Richard Nixon, that unlikely duo that forms the basis of Peter Morgan's intense play FROST/NIXON now playing at Buffalo's Irish Classical Theatre.