BWW Review: Women Balance Sex, Marriage and Finance in Gina Gionfriddo's CAN YOU FORGIVE HER?
As with her first Pulitzer-finalist play, BECKY SHAW, the title of Gina Gionfriddo's sharp-tongued comedy CAN YOU FORGIVE HER? is a literary reference.
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BWW Review: Norbert Leo Butz Stars in Hamish Linklater's Ambitious Drama THE WHIRLIGIG
"In a whirligig of grief" is how one character describes the emotional state of another in Hamish Linklater's ambitious new play, THE WHIRLIGIG, receiving a fine premiere mounting by The New Group's artistic director, Scott Elliott.
BWW Review: A.A. Milne's THE LUCKY ONE Receives a Rare Revival From The Mint
One look at the country home setting designer Vicki R.
BWW Review: Suzan-Lori Parks' Devastating VENUS Explores the Tragedy of Saartjie Baartman
Traditionally, the human beings with uncommon attributes who are featured as carnival side-show attractions can hold a certain degree of power in their profession.
BWW Review: Polar Opposites Explore Romance In ERNEST SHACKLETON LOVES ME
Kat, the woman who's at the center of the wildly fun and unpredictable new two-person musical comedy Ernest Shackleton Loves me, is not exactly in a good emotional place when the show begins.
BWW Review: Martín Zimmerman's War Drama SEVEN SPOTS ON THE SUN Mixes Brutality and Magical Healing
Most people don't like war.
BWW Review: ALL THE PRESIDENT'S MEN? Takes Its Text From Trump Cabinet Senate Confirmation Hearings
Visitors observing the United States Senate in session from the chamber galleries are instructed to refrain from applauding, booing or - perhaps most crucial - laughing at their public servants as they undergo official business.
BWW Review: Encores! Serves Up Delicious Mounting of Cult Favorite THE GOLDEN APPLE
In the late-night hours of June, 14, 1994, when hockey's New York Rangers won their first Stanley Cup championship in 54 years, there were fans visiting the gravesites of loved ones, armed with six-packs of beer and radios, to share with long-gone fans a moment they thought they might never live to
BWW Review: HER OPPONENT Recreates Clinton/Trump Debates With Genders Switched
As it pertains to the 2016 presidential election, the title HER OPPONANT doesn't necessarily refer to Donald Trump.
BWW Review: John Doyle Cuts PACIFIC OVERTURES Down To Prelude Size
The best thing about Classic Stage Company's small-scale, extensively trimmed production of Stephen Sondheim and John Weidman's extraordinarily-written 1976 musical, PACIFIC OVERTURES, is a chance to see a terrific ensemble of actors taken from the New York stage's severely underutilized pool of Asi
BWW Review: Mobile Unit Brings Free TWELFTH NIGHT To The Public Theater
Sixty years ago, Joseph Papp packed a truck with a small troupe of actors, some modest props and the firm belief that the plays of William Shakespeare belonged to everyone, and traveled throughout New York City giving free performances.
BWW Review: Kelli O'Hara, Bill Irwin, Christopher Fitzgerald and Lauren Worsham in MasterVoices' BABES IN TOYLAND
After producer Fred Hamlin christened Columbus Circle's Majestic Theatre with a spectacular musical extravaganza based on L.
BWW Review: Can Andy Karl Draw Sweet Water From GROUNDHOG DAY's Foul Well?
In 1957, Meredith Willson wagered he could get Broadway audiences to cheer for THE MUSIC MAN's serial swindler who cheats nice people out of their hard-earned money and harasses the leading lady on the street and at her workplace while lying his way into her arms.
BWW Review: The Door Slams Back in Lucas Hnath's A DOLL'S HOUSE, PART 2
When a classic play from the past is revived, there's always the temptation to point out its relevance to today, or at least to present it through a contemporary lens.
BWW Review: In Exhilarating and Moving BANDSTAND, War Veterans Use Music To Express What They Can't Put Into Words
As they sit in darkness, the first thing the audience hears is the sound of distant explosions.
BWW Review: John Guare's Pre-Google SIX DEGREES OF SEPARATION Examines The Need For Human Connections
Long before websites like Friendster (Remember Friendster?) increased the awareness of how few people it takes for one's social network to spread worldwide, John Guare's smart and funny 1990 entry, SIX DEGREES OF SEPERATION, helped popularize the concept that you can connect any two people in the wo
BWW Review: ANASTASIA Brings Romantic Golden Age Style Back To Broadway
No, that's not some forgotten Golden Age musical floating effervescently across the Broadhurst stage, but ANASTASIA sure has the old-fashioned romantic feel of one.
BWW Review: Christian Borle Grabs The Spotlight as Willy Wonka in CHARLIE AND THE CHOCOLATE FACTORY
With two supporting actor Tony Awards under his belt, the versatile and immensely talented Christian Borle finally spent an opening night as a Broadway leading man earlier this season, playing neurotic New Yorker Marvin in a limited run revival of William Finn's FALSETTOES.
BWW Review: Bette Midler's The Star Attraction, But HELLO, DOLLY! is The Star
Yes, yes, we all know… Bette Midler is the above the title attraction and her presence is the reason the latest Broadway revival of HELLO, DOLLY! is the season's hottest new ticket.
BWW Review: Cynthia Nixon and Laura Linney Alternate Roles in Lillian Hellman's Fascinating THE LITTLE FOXES
With her throaty elegance, sharp comic bite and aggressively sexual allure, Tallulah Bankhead quickly earned a loyal following when she appeared in her first five Broadway plays in the years between 1918 and 1922.
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