Maria Nockin worked at the Metropolitan Opera in New York while attending Fordham University across the street from Lincoln Center. At the same time, she studied voice, piano, and violin privately. For many years she taught English as a Second Language as well as courses in Art and Theater at New York City and Hauppauge Long Island schools. She has also served as soprano soloist at Long Island's Cathedral of St. Agnes. She spent summers working at the Salzburg Festival where some iof her reviews were translated and read on Austrian Radio. Upon retirement from teaching, she moved to the warmer climate of the Southwest United States where, in winter, she writes about opera and classical music in the major cities of Arizona and California. In summer she covers operas and concerts in Santa Fe New Mexico. In summer 2014, Maria taught Music Theory at the Institute for Large Dramatic Voices. One of her students was Jonah Hoskins, a 2020 winner of the Metropolitan Opera National Auditions.
Pacific Symphony Orchestra’s semi-staged version of Giuseppe Verdi’s La Traviata (The Lost One) was filmed at Segerstrom Concert Hall in Costa Mesa, CA. This opera’s title role requires a charismatic soprano and a consummate actress who can pull the audience into the opera’s stark drama. Cecilia Violetta Lopez proved to be that kind of artist.
This is the last week to watch Los Angeles Opera’s online Signature Recital Series which gives viewers exclusive online access to fine performances filmed in stunning venues around the world. The series includes unforgettable singing by mezzo-soprano Susan Graham, tenor Russell Thomas, soprano Christine Goerke, mezzo-soprano J'Nai Bridges, and soprano Julia Bullock—a breathtaking showcase of vocal magic.
On June 22, I watched J’Nai Bridges’ online recital at Los Angeles Opera’s website. Bridges has been making highly acclaimed debuts at major opera houses. For her LA Opera recital, she chose major selections by Johannes Brahms and Charles Gounod as well as many lesser-known shorter pieces. She sang with pianist Jeremy Frank, harpist Brandee Younger, violist Drew Forde, and dancer Shauna Davis. Available on LA Opera website now.
On June 18, 2021, I watched Los Angeles Opera’s film of Stravinsky’s 1927 opera-oratorio Oedipus Rex. Jean Cocteau, who wrote the libretto, based it on the ancient Greek tragedy Sophocles wrote ca. 429 BCE. Right now LAO is featuring it online for free.
On Saturday, we see Los Angeles Opera’s online stream of Stravinsky’s Oedipus Rex. Stravinsky based Oedipus on Sophocles’ Greek tragedy and his 1927 opera is a highly stylized, ritualistic work. A narrator describes the action throughout the course of the opera. Although the opera is in Latin, narration is spoken in the language of the audience.
Seattle Opera’s film of Puccini’s Tosca, that can be streamed starting June 25, opened with the escape of political prisoner Cesare Angelotti who was once a friend of Cavaradossi. Angelotti, sung by bass Adam Lau, was exhausted from running, surmounting walls, and crashing through fences. His clothes were tattered and he almost fell into the cooling water of the church’s Baptismal Font.
Los Angeles Opera’s presentation of Oedipus Rex by Igor Stravinsky is available online from June 17 to July 18, 2021. The libretto is by Jean Cocteau. The cast includes: Oedipus, Russell Thomas; Jocasta, J’nai Bridges; Creon, John Relyea; Tiresias, Morris Robinson; Narrator, Stephen Fry; Conductor, James Conlon.
Euphemia and Andronico bicker over Andronico's choice of the miserly Don Procopio as a husband for Bettina. Ernesto, Bettina's brother, arrives home from long travels and hears that his sister is to be married to a man she does not love. Bettina loves Odoardo. Ernesto, Odoardo, and Bettina, knowing that Procopio really wants Bettina’s money, devise a plan to stop the old man.
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