Maria Nockin

Maria Nockin Maria Nockin attended Fordham University at Lincoln Center while studying voice, piano, and violin privately. For many years she taught English as a Second Language in New York City schools and served as soprano soloist in several area churches. Upon retirement, she moved to the warmer climate of the Southwest where she writes about opera and classical music.



MOST POPULAR ARTICLES
LAST 30 DAYS

BWW Review: ALCINA at Santa Fe OperaBWW Review: ALCINA at Santa Fe Opera
Posted: Jul. 31, 2017


BWW Review: THE GOLDEN COCKEREL at Santa Fe OperaBWW Review: THE GOLDEN COCKEREL at Santa Fe Opera
Posted: Jul. 29, 2017


BWW Review: DIE FLEDERMAUS at Santa Fe OperaBWW Review: DIE FLEDERMAUS at Santa Fe Opera
Posted: Aug. 3, 2017


BWW Review: MOZART ONSTAGE: THE DRAMA OF LOVE at Classical TahoeBWW Review: MOZART ONSTAGE: THE DRAMA OF LOVE at Classical Tahoe
Posted: Aug. 7, 2017


LAST 365 DAYS

BWW Interview: Brenda Rae of LUCIA DI LAMMERMOOR at Santa Fe OperaBWW Interview: Brenda Rae of LUCIA DI LAMMERMOOR at Santa Fe Opera
Posted: May. 2, 2017


BWW Review: ALCINA at Santa Fe OperaBWW Review: ALCINA at Santa Fe Opera
Posted: Jul. 31, 2017


BWW Review: THE (R)EVOLUTION OF STEVE JOBS Sells Out at Santa Fe OperaBWW Review: THE (R)EVOLUTION OF STEVE JOBS Sells Out at Santa Fe Opera
Posted: Jul. 23, 2017


BWW Review: LUCIA DI LAMMERMOOR at Crosby Theatre, Santa Fe OperaBWW Review: LUCIA DI LAMMERMOOR at Crosby Theatre, Santa Fe Opera
Posted: Jul. 23, 2017


BWW Review: THE GOLDEN COCKEREL at Santa Fe OperaBWW Review: THE GOLDEN COCKEREL at Santa Fe Opera
Posted: Jul. 29, 2017


BWW Review: MOZART ONSTAGE: THE DRAMA OF LOVE at Classical TahoeBWW Review: MOZART ONSTAGE: THE DRAMA OF LOVE at Classical Tahoe
August 7, 2017

On August 5, 2017, high in the Sierra Mountains of Nevada, Classical Tahoe presented four of San Francisco Opera's Adler Fellows in a program of music by Gaetano Donizetti, Wolfgang Amadeus Mozart, and Giuseppe Verdi.The Adler Fellowship Program is a multi-year performance-oriented residency for promising young artists that offers intensive individual coaching, professional seminars and a wide range of performance opportunities.

BWW Review: DIE FLEDERMAUS at Santa Fe OperaBWW Review: DIE FLEDERMAUS at Santa Fe Opera
August 3, 2017

On August 1, 2017, Santa Fe Opera presented Johann Strauss II's operetta, DIE FLEDERMAUS (THE BAT). The original German libretto was by Carl Haffner and Richard Gene. The audience heard it sung in an English translation by Ruth and Thomas Martin with dialogue adapted by Charles Ludlam from W. S. Gilbert's play ON BAIL. Gilbert based his play on a work by Meilhac and Halvy.

BWW Review: ALCINA at Santa Fe OperaBWW Review: ALCINA at Santa Fe Opera
July 31, 2017

George Frideric Handel composed the opera seria, ALCINA, for a 1735 premiere at London's Covent Garden. Handel's anonymous librettist based his text on Riccardo Broschi's 1728 book for L'ISOLA DI ALCINA. Three years following its 1735 run, ALCINA was revived but after that it fell dormant until the twentieth century. On July 29, 2017, Santa Fe Opera premiered a co-production of ALCINA with the National Opera of Bordeaux and the Teatro Real of Madrid.

BWW Review: THE GOLDEN COCKEREL at Santa Fe OperaBWW Review: THE GOLDEN COCKEREL at Santa Fe Opera
July 29, 2017

The Golden Cockerel was Nikolai Rimsky-Korsakov's last opera. He wrote it in 1905 as a satire on the Russian government of the time. As with many political satires, the libretto that Vladimir Belsky based on Pushkin's poem THE TALE OF THE GOLDEN COCKEREL can still make some points over one hundred years later. On July 28, 2017, Santa Fe Opera presented THE GOLDEN COCKEREL in a production by Paul Curran conducted by Emmanuel Villaume.

BWW Review: THE (R)EVOLUTION OF STEVE JOBS Sells Out at Santa Fe OperaBWW Review: THE (R)EVOLUTION OF STEVE JOBS Sells Out at Santa Fe Opera
July 23, 2017

On July 22, 2017, Santa Fe Opera presented the world premiere of Mason Bates and Mark Campbell's opera THE (R)EVOLUTION OF STEVE JOBS. The new piece was co-commissioned by Santa Fe, Seattle, and San Francisco Operas. Director Kevin Newbury used a great deal of new technology in telling Jobs' story. In eighteen short scenes, a prologue and an epilogue, he covered important events in Steve's life by touching on specific dates in the sixties, seventies, eighties, nineties and early twenty-first century. Since there is no intermission in this ninety-minute piece, the drama constantly builds to its eventual climax with the death of the hero, and the denouement leaves the audience to contemplate his values and the effect his life had on all of us.

BWW Review: LUCIA DI LAMMERMOOR at Crosby Theatre, Santa Fe OperaBWW Review: LUCIA DI LAMMERMOOR at Crosby Theatre, Santa Fe Opera
July 23, 2017

On July 21, 2017, Santa Fe Opera presented Ron Daniels' production of Gaetano Donizetti's bel canto work, LUCIA DI LAMMERMOOR. Beginning with a storm and several huge rainbows, the open sides of Santa Fe Opera's Crosby Theatre allowed the audience to watch the sun set as the orchestra played the opera's overture. Based on Sir Walter Scott's novel, THE BRIDE OF LAMMERMOOR, the opera tells the story of a young woman who loses her reason when forced to marry a man she does not love.

BWW Interview: Kevin Newbury of THE (R)EVOLUTION OF STEVE JOBS at Santa Fe OperaBWW Interview: Kevin Newbury of THE (R)EVOLUTION OF STEVE JOBS at Santa Fe Opera
June 7, 2017

Kevin Newbury is a theatre, opera and film director who has staged over sixty original productions for numerous opera companies, festivals, and symphonies. Especially committed to developing new material, he has directed more than two-dozen world premieres of operas and plays. His staging of Mason Bates and Mark Campbell's The (R)evolution of Steve Jobs will have its world premiere at Santa Fe Opera on July 22, 2017.

BWW Interview: Brenda Rae of LUCIA DI LAMMERMOOR at Santa Fe OperaBWW Interview: Brenda Rae of LUCIA DI LAMMERMOOR at Santa Fe Opera
May 2, 2017

Brenda Rae, a fast rising opera star in Europe, is now spreading her wings across the United States. She has a sound reminiscent of molten silver, a wide range, and a great deal of flexibility. At Santa Fe this summer she will sing Gaetano Donizetti's Lucia di Lammermoor, a romantic, bel canto opera about a real Scotswoman who lost her reason when forced to marry a man she did not love.