Review: 1536, Almeida Theatre
Rumours are flying, people are fucking, and the queen’s been taken to the tower.
Katie Kirkpatrick - Page 2
Review: ROMEO AND JULIET, Shakespeare's Globe
In this version of the familiar story, we are whisked away to the 1800s American West.
Review: PERSONAL VALUES, Hampstead Theatre
When physical items take over your life, what space is left for real people? Personal Values, the debut play from Chloe Lawrence-Taylor, seeks to answer this question, digging through boxes and bags to examine family, grief, and memory.
Review: WEATHER GIRL, Soho Theatre
It would be fair to say Weather Girl was the talk of last year’s Edinburgh Fringe.
Review: TESTO, Battersea Arts Centre
Drenched in eerie green and red light, Wet Mess’ Testo is a unique, subversive fever trip through masculinity, transness, and queer identity.
Review: AN INTERROGATION, Hampstead Theatre
One room, two people.
Review: BRIGHT PLACES, Soho Theatre
Bedazzled with sequins and bouncing with 90s pop, Bright Places is a technicolour journey through a Multiple Sclerosis diagnosis.
Review: BLUE NOW, Southbank Centre
A film that’s all one shot of one colour may not sound like much, but Derek Jarman’s Blue is a rich, intricate tapestry, and a landmark piece of queer filmmaking.
Review: EXPENDABLE, Royal Court Theatre
Expendable, written by Emteaz Hussain, all takes place in a family kitchen.
Review: TENDER, Bush Theatre
Colourful and full of detail, Eleanor Tindall’s Tender is an engrossing evening of theatre.
Review: OR WHAT'S LEFT OF US, Soho Theatre
There’s no shortage of shows about death in the London theatre scene.
Review: THE FLEA, The Yard Theatre
Now this is how you do historical theatre.
Review: AUTUMN, Park Theatre
Based on Ali Smith’s novel, Autumn is a curious blur of images and ideas, which weave in and out of each other with varying success.
Review: BRACE BRACE, Royal Court Theatre
Digging deep into human nature, Oli Forsyth’s Brace Brace combines the pace and excitement of a thriller with an unexpectedly perceptive intelligence.
Review: MY ENGLISH PERSIAN KITCHEN, Soho Theatre
On the press night for My English Persian Kitchen, the smell of chopped onion, mint, and garlic wafts down the stairs of Soho Theatre.
Review: THE REAL ONES, Bush Theatre
At once intimate and expansive, The Real Ones follows the friendship of Zaid and Neelam from age nineteen to thirty-six.
Edinburgh 2024 Review: KNIVES AND FORKS, Gilded Balloon
The friendship at the heart of Knives and Forks is almost as vivid and messy as the show's backdrop.
Edinburgh 2024 Review: CONVERSATIONS WE NEVER HAD, AS PEOPLE WE'LL NEVER BE, Assembly Rooms
Combining a tender romance with a sci-fi twist, Conversations We Never Had, offers a new take on the girl-meets-girl rom-com, throwing its characters into an unthinkable scenario.
Edinburgh 2024 Review: PLEWDS, Summerhall
“Being queer is the best, right?” In Kathrine Payne’s debut solo show plewds, all is not as it seems.
Edinburgh 2024 Review: THE MOSINEE PROJECT, Underbelly Cowgate
As slick and suave as its performers’ suits, The Mosinee Project is a curious little piece of documentary theatre.
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Tickets From $71
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