Review: COLOSSAL, Soho Theatre
In Colossal, Patrick McPherson presents us with what initially seems to be a love story.
Katie Kirkpatrick - Page 5
Review: AFTER THE ACT, New Diorama Theatre
After the Act is entirely different to any other musical currently running in London.
Review: SLEEPOVA, Bush Theatre
Sleepova is a lovingly told story of female friendship, and one that’s specifically - and proudly - Black and queer.
Review: AGE IS A FEELING, Soho Theatre
Taking us from age 25 to death, this is a feat of theatre that captures the full human experience, presenting the highs and lows with remarkable honesty and warmth.
Review: AKEDAH, Hampstead Theatre
Akedah won the 2019 Bruntwood Prize Original New Voices Award, and is Michael John O’Neill’s first full length play.
Review: BREATHLESS, Soho Theatre
It’s been a strong few months for Edinburgh Fringe transfers at Soho Theatre, and Fringe First winner Breathless is no exception.
Review: WELCOME HOME, Soho Theatre
Willy Hudson’s Welcome Home is described on the theatre website as a 'queer sci-fi epic' - and epic it truly is, in every sense of the word.
Review: THE BOYS ARE KISSING, Theatre503
Zak Zarafshan’s debut play dives into playground politics and marital disputes, but with a touch of divine intervention, and some Britney Spears for good measure.
Review: SOUND OF THE UNDERGROUND, Royal Court Theatre
Sound of the Underground, co-created by Travis Alabanza and Debbie Hannan, unleashes queer chaos on the historic Royal Court.
Review: WRECKAGE, Turbine Theatre
Any one of us could die at any time, with no warning and no reason behind it.
Review: ON THE ROPES, Park Theatre
On the Ropes is a play about fighting - in more ways than one.
Review: ONE WOMAN SHOW, Ambassadors Theatre
From the London commute and edgy social media spoken word to dramatic orange-lit flashbacks, Kingsman presents us with a fully-formed show-within-a-show that’s a parody of itself.
Review: BRITNEY: FRIENDS AND NOTHING MORE, Soho Theatre
In the spirit of their popstar namesake, comedy duo Britney are bringing their hit Fringe show back one more time.
Review: MILLENNIALS, The Other Palace
A ball pit, inflatable flamingos, beanbags, a pink shiny wall, beach balls, and a giant avocado.
Review: NEW UK MUSICALS - LIVE IN CONCERT, The Other Palace
One year on from theatres being allowed to fully reopen, where is the new writing? This is a problem Darren Clark has set out to tackle with his project New UK Musicals.
BWW Review: THE MINISTRY OF LESBIAN AFFAIRS, Soho Theatre
Playwright Iman Qureshi said she wanted to make the show “a lesbian mecca”, and she has done exactly that.
BWW Review: LAVA, Soho Theatre
When Lava was first staged, at the Nottingham Playhouse in 2018, its central plot point of an asteroid hitting North London and causing thousands of casualties may have seemed implausible - over-dramatic, even.
BWW Review: FRIDGE, The Hope Theatre
The themes of classism, of family, and especially of the rural/city divide work so well on stage and are written and performed with honesty and creativity.
BWW Review: FOLK, Hampstead Theatre
Playwright Nell Leyshon has crafted a delicate narrative that quietly unpicks our ideas of music, class, and family.
Steven Sater talks SPRING AWAKENING at the Almeida Theatre
As the Almeida revival of Spring Awakening opens in London, writer Steven Sater talks about his relationship with the show over the years, as well as his new Grammy-nominated concept album with Burt Bacharach.
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