Katie Kirkpatrick
Review: PRIDE, National Theatre
In a Britain more divided than ever, this message of solidarity couldn’t have come at a better time.
Review: CHOIR BOY, Stratford East
Having been on and off, in London, LA, and New York, since 2012, Choir Boy clearly isn’t going away any time soon.
Review: AETHER, Jermyn Street Theatre
Aether is, above all else, strikingly original.
Review: MANIC STREET CREATURE, Kiln Theatre
Known for her evocative, folk-infused sound, Manic Street Creature sees Memon take the reins as writer and composer as well as performer, bringing her distinctive voice to a personal story of second-hand trauma.
Review: THE SHITHEADS, Royal Court Theatre
The Shitheads is the perfect example of the importance of the Royal Court to London’s present day new theatre scene.
Review: JOSH SHARP: TA-DA!, Soho Theatre
Josh Sharp’s ta-da! is a million miles a minute ride through everything from queerness to quantum theory, told through 2000 powerpoint slides.
Review: A GHOST IN YOUR EAR, Hampstead Theatre
Walking down an ominous red-lit corridor and being asked to put on over-ear headphones isn’t your typical start to a night at the theatre – but then A Ghost in Your Ear isn’t your typical play.
Review: EVITA TOO, Southbank Centre
Rollerskates, Elaine Page, ducks, puppets, corpses, puppet corpses, and a DJing Andrew Lloyd Webber.
Review: PRIVATE VIEW, Soho Theatre
The last year or so have often been described online as London’s ‘lesbian renaissance’.
Review: THE LINE OF BEAUTY, Almeida Theatre
An award-winning LGBTQ novel, adapted for the stage by playwright of the moment Jack Holden (Cruising; Kenrex).
Review: ENTERTAINING MR SLOANE, Young Vic
There’s a lot of pressure on an Artistic Director’s first production at a new venue, especially if they’re directing it themselves.
Review: ROMANS, A NOVEL, Almeida Theatre
Alice Birch’s Romans, a novel is an expansive portrait of literary masculinity through the ages.
Review: NOT YOUR SUPERWOMAN, Bush Theatre
Not Your Superwoman has already sold out its entire run, which is pretty unusual for an Off West End play.
Review: EVERY BRILLIANT THING, Starring Ambika Mod, @sohoplace
Ambika Mod, of This Is Going to Hurt and One Day fame, is pretty perfect casting for the part.
Review: DEAF REPUBLIC, Royal Court Theatre
Deaf Republic is a marvel of a show.
Review: DEAR YOUNG MONSTER, Soho Theatre
Unusual and unflinching, Dear Young Monster delves into the parallels between the creation of Frankenstein’s Monster as a ‘man-made man’ and the experience of a trans coming of age.
Review: NOUGHTS & CROSSES, Regent's Park Open Air Theatre
Malorie Blackman’s Noughts & Crosses has long been something of a YA classic.
Review: THIS BITTER EARTH, Soho Theatre
This Bitter Earth, the UK directorial debut of Tony winner Billy Porter, is a play with a lot to say – about race, about activism, and about love.
Review: POP OFF, MICHELANGELO!, Underbelly Boulevard Soho
#Pop Off, Michelangelo! might just be the gayest show in London right now.
Review: OUTPATIENT, Park Theatre
A journalist writing a story about death and terminal illness finds out she herself is dying.
Tickets From $59
Tickets From $71
Tickets From $71
Tickets From $95