Harmony Wheeler has worked for theatres including Sierra Repertory Theatre, Modesto Performing Arts, and The Hanover Theatre. Her byline has appeared with the Sierra Lodestar, The Modesto Bee, The Chimes at Biola University (where she served as News Editor), StaticMultiMedia.com, and more. She holds a degree in Journalism, Public Relations.
As bright and colorful as its title character's wardrobe, Hillbarn Theatre's production of "Joseph and the Amazing Technicolor Coat" is a "dazzling work of art.
Greeting audiences with a familiar New York City backdrop painting framed in a gorgeous white paneling and seasonal decor, the touring production of "Miracle on 34th Street: The Musical" doesn't offer much beyond its original seasons' greetings.
As energized as its famous Strauss-penned waltzes and as bubbly as its beloved king champagne, Opera San Jose's production of Die Fledermaus entertains with its farcical story and melodramatic acting.
Northern California will get a double dose of the celebration this year, as the Gallo Center for the Arts hosts the touring production of a musical based on the classic film "Miracle on 34th Street," which follows a family as its cinical Christmas beliefs are challenged by the appearance of the real
Diablo Ballet presents 'A Swingin' Holiday,' one part of a three-part program playing November 16 and 17 at the Lesher Center for the Arts in Walnut Creek.
With a surprisingly well-written book and a fun, familiar plot, 42nd Street Moon's production of the rare musical, "Carmelina," stands out against its more recent cousin, the Abba-inspired "Mamma Mia!" While it does not have the peppy energy and catchy music of "Mamma Mia!," "Carmelina" has unique s
The audience had no trouble taking the advice of Tony Award-winning musical "Memphis" in its final moments Tuesday night at the Sacramento Community Center.
In one of the first numbers of Disney on Ice "100 Years of Magic," a host of genie duplicates from the classic film Aladdin cover the rink with their "magic," a small taste of the magic to come.
Vincenzo Bellini's opera based on "Romeo and Juliet" does not follow the traditional Shakespeare plot, so it seems appropriate that the San Francisco Opera production, too, should veer away from traditional sets and costumes and create a world of its own.
It may describe the show's hilarious contents perfectly, but the title of Cosmopolitan Cabaret's current revue-style musical, "I Love You, You're Perfect, Now Change," did not quite fit the sentiment of California Musical Theatre's audience opening night.
Even with all the magic and all the fun, the thing I remember most from my childhood trips to the circus is my traditional circus cup filled with delicious flavored ice.