Review: AMAZE, Criterion Theatre
A personal show with plenty of 'Wow!' and a nice counterpoint to the gods of magic who deliver miracles from on high.
Gary Naylor - Page 8
Review: TATTOOER, Charing Cross Theatre
Incomprehensible drama fails to breach the cultural gap between Japan and England.
Review: THE TURN OF THE SCREW, London Coliseum
Isabella Bywater ratchets up the tension, as Ailish Tynan and Jerry Louth shine as the governess and her male charge.
Review: TROUBLE IN TAHITI and THE QUIET PLACE, Royal Ballet and Opera
If you're a parent, brace yourself - and enjoy the glorious singing and fine music writes our critic about TROUBLE IN TAHITI and THE QUIET PLACE.
Review: THE OTHER PLACE, National Theatre
The Other Place brings thousands of years of history and all the power of theatre to bear on its dissection of the dynamics of grief, transgression and despair.
Review: BERYL COOK: A PRIVATE VIEW, Finborough Theatre
Part-nostalgia, part-reclaiming under-represented lives, this one-woman show, transferring from Edinburgh, is a delight
Review: BIRDSONG, Richmond Theatre
Touring production will pull in fans of the book, but needs to find something more to say if it is to convert those new to the story.
Review: ONE SMALL STEP, Charing Cross Theatre
Bold Anglo-Japanese production fizzles out when it needs to take off like a rocket writes BWW's critic.
Review: THE TROJAN WOMEN, Lyric Hammersmith
Euripides in W6? A distressingly close fit.
Review: GIANT, Royal Court
John Lithgow impresses as Roald Dahl in an unconvincing drama that is unlikely to change many minds
Review: PINS AND NEEDLES, Kiln Theatre
New play packs plenty of ethical questions into an engaging and fascinating production that offers much to think about on the way home
Review: JULIUS CAESAR, Southwark Playhouse
Icarus Theatre show how new tech can tell old tales
Review: THE REAL THING, The Old Vic
Hard going with characters largely bereft of sympathetic virtues, delivering dialogue long on ideas, but short on heart
Review: THE MARRIAGE OF FIGARO, Royal Ballet and Opera
Mozart, music and mayhem in a tale of an outfoxed aristocrat brought down to earth
Review: THE INCREDIBLY SCARY OBJECT, Jack Studio Theatre
A NASA press conference goes off the rails as the probe, and the probing, goes awry
Review: UTØYA, Arcola Theatre
With Far Right terrorism and toxic masculinity defacing the summer, this 2015 play's UK premiere could no be more timely
Review: FARM HALL, Theatre Royal Haymarket
Katherine Hoar's debut play makes a seamless and well-deserved transition to a major West End venue to challenge and intrigue a public who have enjoyed Oppenheimer at the cinema
Review: THE YEARS, Almeida Theatre
Five actors + 80 years + a soupçon of French ennui = an evening that will spark many a conversation
Review: LIFE WITH A LITTLE 'L', Riverside Studios
This heartfelt show would benefit from a tighter focus and a harder edge
Review: GO! THE MUSICAL, Upstairs at the Gatehouse Theatre
New musical runs into familiar structural issues but has strong singing and pleasing songs
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