Review: THE PASSENGER, Finborough Theatre
Ensemble work tells an important story, but too quickly and too loudly for its full horror to sink in
Gary Naylor - Page 7
Latest Articles
Review: OUTLYING ISLANDS, Jermyn Street Theatre
Dazzling acting and directing delivers a fine revival in a perfect space
Review: KS6: SMALL FORWARD, The Pit Barbican Centre
Katsiaryna Snytsina, the eponymous KS6, tells an often warm and witty tale of her own empowerment, with a burning ambition to do the same for her country
Review: AS LONG AS WE ARE BREATHING, Arcola Theatre
Miriam Freedman's stroy is both a tribute to Human Spirit and a warning for today
Review: AIDA, Royal Ballet and Opera
Robert Carsen's vision is as uncompromising as ever, but the world has changed in three short years
Review: ŁUKASZ TWARKOWSKI: THE EMPLOYEES, Southbank Centre
Polish production is powerful theare-making, but lacks heart and conviction in its storytelling
Review: MARIA, in Cinemas and Streaming
Angelina Jolie is compelling in a movie that concentrates on the misery to the exclusion of almost everything else in the diva's life
Review: HANSEL AND GRETEL, Royal Ballet and Opera
Macabre and spectacular, this is Christmas fare as it once was and should still be, fully trusting its audience.
Critics' Choice: Gary Naylor's Best Theatre of 2024
There's praise for plays old and new and musicals, well, mainly old
In Praise of Front of House Staff
Theatre likes to say thank you.
Review: SLEEPING BEAUTY, The Bridge House Theatre
Traditional fringe panto offers value and and the comfort of familiarity and escapism at Christmas
Review: PAN, Chickenshed Theatre
Pan is back with songs and spectacle and a lesson about what really matters in life
Review: CAT ON A HOT TIN ROOF, Almeida Theatre
Daisy Edgar-Jones and Kingsley Ben-Adir lead a fine cast in an impressive, if gruelling, examination of the destructive power of mendacity
Review: CARLOS ACOSTA'S NUTCRACKER IN HAVANA, Southbank Centre
Carlos Acosta's touring show is a delightful Christmassy treat
Review: THE MASSIVE TRAGEDY OF MADAME BOVARY, Southwark Playhouse
A valiant effort, but too long and too ambitious to achieve its aim of transforming Flaubert's tragic heroine into a comic lead
Review: BETTE AND JOAN, Park Theatre
Greta Scacchi and Felicity Dean are gruesomely grotesque but also wonderfully warm as the fading titans of the Golden Age of Hollywood
Interview: Actor Producer Charlie MacGechan of Run At It SHOUTING
An Actor / Producer / Executive talks about how he got started, what he's done and what the future might hold.
Review: TWELFTH NIGHT, Orange Tree Theatre
Superb performances from a cast entirely at ease with themselves and their director make this show a must-see
Review: MAZZ MURRAY: THE MUSIC OF DUSTY SPRINGFIELD, Adelphi Theatre
Mazz Murray delivers a classy spectacular, but do we need all those phones in the front two rows?
Review: THE UNSEEN, Riverside Studios
Prisoners not the only victims of tyranny's dehumanisation of body and soul
Tickets From $58
Tickets From $71
Tickets From $71
Tickets From $71
