BWW Review: Jennifer Coy Jennings Dazzles in WILD HORSES
Allison Gregory's WILD HORSES is a wickedly funny examination of the heady early teenage years.
Frank Benge - Page 5
BWW Review: THE WORLD GOES 'ROUND Celebrates the Songs of Kander and Ebb
THE WORLD GOES 'ROUND is an award winning musical revue showcasing the songs of John Kander and Fred Ebb.
BWW Review: I HATE HAMLET is Great Escapist Fun
I HATE HAMLET is a 1991 comedy by Paul Rudnick, who is best known as the author of Jeffrey and The Most Fabulous Story Ever Told.
BWW Review: ACT ONE An Epic Theatre Tale Beautifully Told
ACT ONE is the story of famed playwright-director Moss Hart, from his poor Bronx beginnings to his first Broadway hit Once in a Lifetime.
BWW Interview: Robert King, Jr. and THE VOICES OF DONNY HATHAWAY
On January 13th, 1979, the world lost singer Donny Hathaway.
BWW Review: A TUNA CHRISTMAS Proves Sometimes Less is More
It's Christmas in Tuna, the third smallest town in Texas where the Lion's Club is too liberal and Patsy Cline never dies! Between the holiday yard display contest and the Little Theatre's 'A Christmas Carol' on the brink of cancellation, it's a miracle anyone gets tinsel on a tree.
BWW Review: THE SEAFARER First Rate Irish Tall Tale
THE SEAFARER is a 2006 play by Irish playwright Conor McPherson.
BBW Review: STEEL MAGNOLIAS Familiar But Fresh
Robert Harling's STEEL MAGNOLIAS is a 1987 comedy drama about the bond amongst a group of Southern women in northwest Louisiana and is based on his experience with his sister's death.
BWW Review: ZOMBIE PROM A Camp Charmer
ZOMBIE PROM is an Off-Broadway musical that was later adapted into a short film.
BWW Review: WAIT UNTIL DARK Toothless Thriller
WAIT UNTIL DARK is a 1966 play by Frederick Knott that was revised in 2013 by Jeffrey Hatcher.
BWW Review: RENT Touring Production A Near Perfect Presentation
RENT is a rock musical with music, lyrics and book by Jonathan Larson.
BWW Review: RHINOCEROS St. Edwards Stages Smartly Stylish Satire
RHINOCEROS was written by Eug ne Ionesco in 1959 and staged for the first time in 1960.
BWW Interview: Bernadette Nason and TEA IN TRIPOLI Stage Work Becomes Book Memoir
In 2011, Bernadette Nason wrote and performed her one-woman show, TEA IN TRIPOLI, which was about the fifteen months she spent in Libya in 1984-85.
BWW Review: SINGIN' IN THE RAIN Tap Happy Film Classic Delightfully Reimagined
Who isn't familiar with SINGIN' IN THE RAIN? The classic MGM film musical is arguably a perfect film musical, full of great songs, amazing dancing and memorable characters.
BWW Review: THE WOLVES A Powerful Tale of Female Camaraderie
THE WOLVES is a 2016 play by Sarah DeLappe that looks at the experiences of nine high school girls during their soccer warmups.
BWW Review: CATCH ME IF YOU CAN Plagued By Problems
CATCH ME IF YOU CAN is a musical with a libretto by Terrence McNally and a score by Marc Shaiman and Scott Wittman.
BWW Review: GIBBERISH MOSTLY Has a Lot to Say at Ground Floor Theatre
GIBBERISH MOSTLY, a new play by Max Langert, is an examination of a family dealing with a child suffering from a neurological disorder.
BWW Review: CATALINA DE ERAUSO a Delightfully Wacky and Witty Feminist Adventure
CATALINA DE ERAUSO, a new play by Austin playwright, Elizabeth Doss (Mast, Poor Herman), is a rollicking, comic adventure tale currently receiving its world premiere production.
BWW REVIEW: BUILDING THE WALL Just Offers More Questions
Robert Schenkkan, who has created a name for himself as a chronicler of American politics with his plays All The Way and The Great Society, is currently having a Regional Premiere of his new play BUILDING THE WALL at UT in the Oscar G.
BWW Review: Jason Phelps Charms in TITLE AND DEED
TITLE AND DEED has much the same structure as playwright Will Eno's brilliant Thom Pain, but what it doesn't have, is the same degree of anger.
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