BWW Review: WISE CHILDREN, Old Vic
Emma Rice is back after her kerfuffle with Shakespeare's Globe, debuting her brand new company with an adaptation of Angela Carter's novel of the same name.
Cindy Marcolina - Page 54
Latest Articles
BWW Review: ONE NIGHT WITH... CARRIE HOPE FLETCHER AND JODIE STEELE, Studio 88
Studio 88 launches a new series featuring some of the most well-known stars of London's West End.
BWW Review: THE WIDER EARTH, Natural History Museum
The National History Museum unveils a brand new theatre in the Jerwood Gallery with Trish Wadley Productions and Dead Puppet Society's The Wider Earth.
BWW Review: MYTHIC, Charing Cross Theatre
Mount Olympus gets a swanky revamp in Mythic, Marcus Stevens and Oran Eldor's new musical retelling of the myth of Persephone (Georgie Westall).
BWW Review: PARENTS' EVENING, Jermyn Street Theatre
Ten-year-old Jessica's behaviour has been troublesome recently, so her parents (Amy Marston and Peter Hamilton Dyer) are called in to discuss the concerns at their daughter's school.
BWW Review: JURASSIC PARK IN CONCERT, Royal Albert Hall
The Royal Albert Hall celebrates the 25th anniversary of the release of Jurassic Park presenting the cult classic with a full symphonic orchestra, creating a magical and hair-raising experience.
Hope In The Face of Adversity Advised at The Stage Debut Awards
Spirits were high on Sunday 23 September when bright-eyed young artists and veterans gathered together to celebrate the rising stars of British theatre at The Stage Debut Awards.
BWW Review: DIVINE PROPORTIONS, The Vaults
Shotgun Carousel transform The Vaults into the ultimate 21st Century Bacchanalia, complete with nipple tassels and rock songs sung on tables overflowing with riches.
BWW Review: WASTED, Southwark Playhouse
After Lin-Manuel Miranda's smash hit Hamilton and the newly opened Six, Christopher Ash and Carl Miller's rockumentary Wasted takes a good look at the achievements and heartbreaks of the Bronte siblings.
BWW Review: A WINNING HAZARD, Finborough Theatre
The ridiculousness and hypocrisy of the Victorian ruling class is presented by Finborough Theatre in the form of three commediettas under the umbrella A Winning Hazard.
BWW Review: ABOUT LEO, Jermyn Street Theatre
Jermyn Street Theatre kick off their Rebels season with the world premiere of Alice Allemano's About Leo.
BWW Review: THE KING AND I, London Palladium
The London Palladium and The King and I have welcomed back to the stage Ruthie Ann Miles with a warm embrace.
Theatre, Adaptation and Change Debated at the Italian Theatre Festival
In between the last two shows of the Italian Theatre Festival, poet and novelist Ben Okri, critic and author Emanuele Trevi, and writer Gilles Affray gathered in the basement bar of The Print Room at the Coronet to discuss words and theatre.
BWW Review: BUT WHY? MA PERCHE?, The Print Room
The first edition of the Italian Theatre Festival concludes with a work-in-progress performed by Complicite's co-founder Marcello Magni.
BWW Review: MISTERO BUFFO, The Print Room
Italian tradition lands on the stage of The Print Room in the second (and last) day of the Italian Theatre Festival with Dario Fo's Mistero Buffo, directed by Eugenio Allegri and performed by Matthias Martelli.
BWW Review: NOVECENTO, The Print Room
Alessandro Baricco's Novecento, beloved monologue of many an Italian and more, is presented as the second bill of the Italian Theatre Festival.
BWW Review: HANNO TUTTI RAGIONE, The Print Room At The Coronet
The first edition of the Italian Theatre Festival, curated by Monica Capuani and in partnership with the Italian Cultural Institute in London, brings contemporary Italian theatre to London.
BWW Interview: Composer Jim Fortune Talks PERICLES at the National Theatre
Following our journey with the company of Pericles at the National Theatre, we met up with Jim Fortune.
BWW Interview: Josh Barrow Talks SILK ROAD at Trafalgar Studios
Josh Barrow is reprising his role of Bruce Blakemore in Silk Road (How To Buy Drugs Online).
BWW Review: RIOT ACT, King's Head Theatre
After his sold-out Sex/Crime (The Glory), Alexis Gregory presents the verbatim Riot Act, directed by Rikki Beadle-Blair.
.gif?width=300)
Tickets From $59
Tickets From $70
Tickets From $59
Tickets From $101
