Member of the Critics' Circle (Drama) with a master's in dramaturgy. Also a script reader and huge supporter of new work. @Cindy_Marcolina on X; cindymarcolina.bsky.social on BlueSky
International stage and screen star John Barrowman is coming back to London with Seth Rudetsky for an intimate concert series at Leicester Square Theatre.
Director Luke Fredericks gives a new spin to William Wycherley's salacious comedy The Country Wife, taking it from its original Restoration setting to the crackling Roaring 20s.
Kiss of the Spider Woman has taken the shape of a novel, a play, a film, a musical, and is now being adapted for the stage again by José Rivera and Allan Baker.
'There is a magic that can happen when you bring people together' Lucy Kerbel welcomes the audience to the Second Annual Tonic Awards at the May Fair Hotel on a chilly March evening.
It's not every day you get to be shuffled through a tiny green door in the lower-ground floor of a Money Exchange in Piccadilly Circus and, quite literally, enter the Suffragettes' world.
Antony Sher details his journey as he prepares for the Royal Shakespeare Company's production of King Lear directed by Gregory Doran, his partner and Artistic Director of the company.
'Hamlet, Prince of Denmark!' the announcement at Wittenberg's graduation ceremony is barely made that beating drums accompany Hamlet Senior's glass hearse across the stage while Gertrude and Claudius look down woefully.
Jermyn Street Theatre continues their pursuit of strong women presenting Maureen Duffy's A Nightingale in Bloomsbury Square and The Choice as a double bill directed by Natasha Rickman.
The Hope Theatre's own Artistic Director, Matthew Parker, presents the world premiere of Robin Hooper's Foul Pages in a frenzy of neck ruffs paired with leather all wrapped up in homosexual subtext.
Alice (Lucy Walker-Evans) is trying to buy the morning after pill in Boots when she meets Jo (Colette Eaton), who drags her into a world of feminist revenge.
Monica Dolan examines the sexualisation of children from the perspective of a psychotherapist, Tessa, who's assessing a mother who allowed her eight-year-old to have breast implants.