BWW Review: HANNA, Arcola Theatre
It's the worst case of bad luck: at a hospital two newborns are accidentally swapped, resulting in them each being given to parents who aren't biologically theirs.
Charlie Wilks - Page 11
BWW Review: INTO THE NUMBERS, Finborough Theatre
The first production I'm seeing this year isn't necessarily a cheery one, but it feels important nonetheless.
BWW Review: THE JUNGLE, Young Vic
The Jungle is the debut play from Joe Murphy and Joe Robertson, founders of humanitarian theatre company Good Chance.
BWW Review: WHITE FANG, Park Theatre
As Canada celebrates 150 years since its confederation, stories of the countries untold natural history are starting to come to light, and White Fang is an example of this.
BWW Review: GRIMLY HANDSOME, Royal Court
Chloe Lamford and Sam Pritchard have collaborated on a piece that perplexes and entices.
BWW Review: PARLIAMENT SQUARE, Bush Theatre
One day Kat gets out of bed, says goodbye to her sleeping family and gets on the train to London, to commit an act that will change her world forever.
BWW Review: GOATS, Royal Court
Fascinated by war's absurdity, playwright and documentary filmmaker Liwaa Yazji started journaling into her notebook all that she saw around her.
BWW Review: GOOD GIRL, Old Red Lion Theatre
Riding high from its huge success at Edinburgh, Good Girl returns to the Old Red Lion, before transferring to the VAULT Festival in 2018.
BWW Review: BARBER SHOP CHRONICLES, National Theatre
Inua Ellams' dynamic new play debuted last June, to critical acclaim.
BWW Review: WILD BORE, Soho Theatre
Three women place their naked bums on a table and speak through them into a microphone.
BWW Review: BAD ROADS, Royal Court
A journalist ventures to the front line in search of a story.
BWW Review: THE SUPPLIANT WOMEN, Young Vic
Remaining true to the traditions of Aeschylus's time, The Suppliant Women company consists of three professional actors, a professional musician and a recruitment of locals - who have trained and rehearsed in a choral-like manner, to create a 50-piece ensemble that roars on the Young Vic stage.
BWW Review: THE SECONDARY VICTIM, Park Theatre
Recent figures show that more and more people are visiting their GP with anxiety, stress and other mental health concerns.
BWW Review: LAID, Soho Theatre
Every day a woman lays an egg, and then faces a decision: does she raise it or eat it? Natalie Palamides is a name I had never heard of before, but after this, there is no way I'm ever going to forget her.
BWW Review: CORIOLANUS, Barbican
Set in a city where the gap between the rich and poor widens every day, Coriolanus opens the RSC's Rome season in London.
BWW Review: THE RETREAT, Park Theatre
A laborious meditation at the start sets this play up to be something it's not.
BWW Review: THIS BEAUTIFUL FUTURE, The Yard Theatre
In a chance of fate, two young lovers sit and get to know one another.
BWW Review: MINEFIELD, Royal Court
They don't speak English, and the others don't speak Spanish.
BWW Review: SUZY STORCK, Gate Theatre
Suzy Storck is stuck in a routine.
BWW Review: THE BUSY WORLD IS HUSHED, Finborough Theatre
'The busy world is hushed.
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