Charlie Wilks - Page 12

There's something simply magical happening on the Barbican's main stage at the moment. Upon entering the auditorium I didn't know what to expect, however I had been told beforehand that Boy Blue contained within it some of the most talented dancers in the country. After seeing the production, I can tell you that this is definitely the case.

April de Angelis has transposed Lope de Vega's Fuenteovejuna into contemporary day India, setting it in an environment of political turmoil. The Inspector uses his state-given power to abuse the local villagers, who just want to live off the land in peace. His tyrannical reign pushes everyone to the edge, until it's all too much and they decide to strike back.

Documenting his grandparent's experiences of moving overseas, Vinay Patel has written a three-hour epic, which puts ethical choice and identity at the forefront of the narrative. Spanning 60 years and a couple of generations, Madani Younis' production is a beautiful reminder of the importance of family, and the values we place upon it.

With suicide being the most prolific killer amongst men under 40, Alex McSweeney and Simon Pittman have teamed up to uncover the reasons why. Following on from their successful run of Out of the Cage, the pair, alongside Fine Line return to the Park Theatre to present the world premiere of Distance.

After seeing Missing, and experiencing an evening at BAC, all's that left to say is that this venue has truly risen from the ashes, and its future is definitely bright.

When reflecting on your fondest childhood memories, you'd probably decide upon visiting your grandparents as one of your highlights. Whilst there you could watch your favourite TV show, eat lots of junk food, and stay up way too late. Even now I still think back to all of the happy memories that were made during my time spent with my Grandma.

Step inside the Roundhouse's main space right now and you'll be treated to an overwhelming onslaught of glitter, glamour and all things gorgeous. Welcome to Club Swizzle, a place where the wild are allowed to go crazy; where people can drink, seduce, play and party. Hosting by cabaret sensation [insert name], the event is a two-hour medley of cabaret, circus, queer performance and acrobatics.

Single-handedly one of the best immersive theatre experiences currently out there, this evening is sure to entertain audiences from all backgrounds. Pitched to both the regular theatregoer and the first-time newbie, the production uses a unilateral emotion to unite everyone - desire. It's a feeling we all share and can be spotted amongst everyone in all realms of society.

How far would you go to get your man? And then when you have him, what lengths do you go to ensure no one steals him away. How do you preserve a dying relationship? Is it sometimes better to just walk away? Can it ever be that easy? These are some of the questions (amongst many others) that are asked in Vicky Jones' Verity Bargate Award-winning play The One, currently being revived at the Soho Theatre. Directed by Steve Marmion, it's a gripping 75 minutes that has you on the edge of your seat from start to finish.

What is it that you dream about at night? For some it's of wild encounters with wannabe lovers, for others its high-speed chases and mad adventures. New Public, the company behind this production bring lots of different ideas to the table. A story told through music and movement, Lucid is a tale of what happens when the imagination is allowed to go wild.

When researching content for their show, Poltergeist Theatre were put in touch with Robert, a man convinced he's been contacted by aliens. He saw them lighting up the sky above Tesco car park, and now he's saying that one's coming to stay in his spare room.

Aisha and Safa have been best friends since forever. As the pair get ready to finish university and embark on the next stage of their lives, it quickly begins to dawn on them that their relationship is about to change. It'll be the first time they do anything without the other; will they still be as tight at the end of it?

Everyday we're told to do better. Whether it is about our size, skin texture or lifestyle, society provides constant reminders that we're not good enough, and actively encourages us to try something new. Maybe it's a new pill acting as a supplement, or that drink that's become the latest trend because a celebrity has endorsed it. Sitting on the tube writing there are so many posters I'm surrounded by, which advertise the latest product that'll make me 'well.'

Kelly loves Neill. The pair of them eat chips, walk along the seafront and share kisses - just like every other couple. But what makes this pair different is the stares they get from everyone else; the glares received come from a place of confusion and malice.

Following on from last summer's smash-hit Touch, Vicky Jones returns with her award-winning debut play. Harry and Jo are up all night drawing the battle lines of their relationship with sex, violence and Wotsits. A viciously funny and daring play, The One invites you into the world of a couple trapped in a destructive and violent cycle of love and lust. Vicky Jones' debut won the Verity Bargate Award in 2013. Back at Soho Theatre this summer for a limited run, we spoke to Julia Sandiford who plays Kerry in the piece.

The National Theatre are currently looking for 300 youth theatre companies and schools/colleges to apply to take part in next year's 2019 Connections Festival. The deadline is on 9th July.

On a night of absolute destruction paranoia runs rife. The capital is in chaos and the public sit in their home watching the terror unfold. Helicopters circle overhead, police sirens wail and the news channels talks about a city under siege. There are 45 dead and counting.

There isn't much I can say apart from this is a truly wonderful night. As soon as you enter the space there is a buzzing anticipation coming from the audience. Filled with devoted fans and eager first-timers, the vibe in the room is one of sheer excitement as we eagerly await the arrival of two of the most brilliant cabaret performers currently working today.

In a world filled with destruction and misery, can love still prevail? When the whole of society has ostracised you for a spur-of-the-moment decision, how do you find your new place to exist? And if the odds are stacked against you, do you fight or just give up?

Ned Bennett's production is a gruelling watch, and has contained within it many moments that shock, enlighten, provoke and surprise. Despite its transfer to the National Theatre, the production is still, as Ken Nwosu states to the audience, 'surrounded by white people.'